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They walk in pairs; they go door to door and visit the homes of those who wish to listen. They discuss matters of faith, family, demureness, religion and being. Their quest is personal, it is about proving themselves, an initiation that lasts for the two-year period they spend away from home. The Elders and the Sisters, young Mormon missionaries, leave their country, study a different language and culture and become immersed in a spirit of mission. They aspire to be role models for the perfect boys and girls.
Maria starts to show signs of wanting to belong somewhere else: scales appear on her skin, roots appear on her legs, and she hears the sound of water - she dreams of being a fish. One day her daughter comes across her disappearance and reconstructs, through the memory of her gestures and meetings with her mother, a possible explanation for her escape.
An observation of post-colonial economic relations through the intersecting trajectories of two Filipino women: one preparing to leave her native island to work as a domestic in Europe, the other to return for good.
A short time has passed. Both arrived to a point of no return, a break is the only way out. One of them has to take the first step. This morning both decide to leave, definitely, without the other realizing it. The house remains empty.
Cunning and slender, harassed and on the run, Reynard is a metaphor of a never ending obsession with each breath, each gesture, each thought. Marta seeks in the emptiness of her body a way to arrive to her inner essence, in an abstract search of a free spirit that might end in her own enclosure.
End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".
A woman and two dogs inside a city house. She rediscovers herself in daily gestures and in the remembrance of whom has left. The sun blinds her, it becomes fierce, and like death, she cannot look it in the eye - only to the shadows around her
Other Letters or The Invented Love deals with the passionate book New Portuguese Letters, a collective work written by the authors known as the Three Marias in the 70s, as a pretext for a short cinematographic inventory about relationships and affection between people today and always.
It's summer in Lisbon and Nicolau is an undecided boy. Among his doubts about the university course to follow and what kind of girl to choose for his girlfriend, Nicolau spends his days trying to figure out who he wants to be when he's bigger. The problem is, he's about to finish the secondary exams, he is already big, without having things clearer. From indecision to indecision, Nicolau navigates in sight, with the only compass for his possible choices being the girls he is going to fall in love and with those he imagine as many possible futures.
It’s springtime in Lisbon and Nicolau turns 24, but he’s not celebrating. Living in his parents’ house, hostage to a dream of being a musician that never comes true and plagued by the ideal image of an ex-girlfriend who left him a year ago and never came back, Nicolau feels incapable of moving forward and inventing a life of his own. He takes odd jobs until the day he discovers that his mother is just as dissatisfied with life as he is. Nicolau is shaken, but he doesn’t stumble.