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The story of Takeha, a free-spirited genius poet who lived through Taisho Romanticism, and the women who gave themselves over to his ambitions.
Based on a polemic novel by Amy Yamada, Bedtime Eyes is about the intense love relationship between a second rate Japanese jazz singer and a black American GI on the margins of the law.
"Tuesday Suspense Theater" was broadcast every Tuesday from 21:00 to 22:54 ( JST ) on the Nippon Television network for 24 years from September 29 , 1981 to September 27, 2005. It was a two-hour drama slot. As a general rule, suspense dramas with one complete episode (very rarely, two parts) were broadcast every week from 21:00 to 22:54 ( JST ). It is a broadcast frame. Some episodes also aired horror, historical dramas, and special effects dramas.
Two lovable idiot "private detectives" (or at least, that's their cover story —more like gangsters) try to make ends meet on the mean streets of Tokyo.
Two men and a woman plan to steal 1.5 Billion yen.
Horror Theater Unbalance is a 1973 Japanese Anthology television series created by Tsuburaya and Fuji TV to air on the Fuji TV network on Monday Nights for 13 episodes. Originally started in production in 1969, it was shelved and took years for its airing debut to begin its broadcast, before production was eventually completed at the end of 1972. It was then aired on Fuji TV in 1973.
After his leading actress becomes pregnant and wants to quit, Juzo, an adult film director, becomes obsessed with finding the woman whose moaning he captured secretly at a dentist’s office to star in the film instead.
Real-Life stripper Madoka Mika plays the fictional ROSE RED, a former striptease queen who is now doing roadshow engagements while trying to raise her child and balance her love affairs.
17 year old Saki lives in a run-down shack with her mom, who survives by pushing a food cart from dawn to dusk. Saki has dropped out of school, and when she's not helping her mother selling noodles in the streets, she's playing flesh-games with boyfriend Sotoo. In her spare time, the girl also entertains a truck driver named Ataru. She believes her promiscuity is a trait inherited from her mom. Determined to improve her lot in life, Saki decides to stop seeing the two guys.
Junko Miyashita plays a mysterious hitchhiker picked up by a brute of a construction worker named Kenzo who takes her back to his run-down and cramped apartment in a not so good part of town. Claiming that she is running away from an abusive husband, she shacks up with him. In a futile attempt to escape the bleak working class surroundings, the pair engage in an obsessive erotic relationship.