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Feature-length compilation program presenting 37 out of 41 original fluxfilms produced and directed in the 1960s by Fluxus artists, including George Maciunas, Nam June Paik, Yoko Ono, Robert Watts, Paul Sharits, et al.
"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas
A satire on business. We see a distinguished business man speaking gibberish, telephone ploes being ripped down to make room for beautiful farmlands, prices tumbling. I hoped the end would justify the means. –D. H.
Featuring home movie footage shot by Higgins and other material derived from his father, MEN & WOMEN & BELLS includes the recurring sound of the bells of Rostov-on-Don in Russia, lending it a mournful quality. — Anthology Film Archives
The scenario for what might have been quite a beautiful films is projected as a text. In between the blocks of text, two small girls romp, as if from another movie altogether. –D. H.
Higgins’s only feature-length film, THE FLAMING CITY, explores the dichotomy between the lifestyle of Higgins and his artist friends in SoHo, which was viewed as a threat to middle class American values, and Higgins’s well-heeled upbringing. The film employs several photographic techniques Higgins learned at the Manhattan School of Printing, including filters, hand-drawn patterns, and alteration of color. - Anthology Film Archives
Struggling but unapologetically living on her own terms, Inez is moving from shelter to shelter in mid-1990s New York City. With her 6-year-old son Terry in foster care and unable to leave him again, she kidnaps him so they can build their life together. As the years go by, their family grows and Terry becomes a smart yet quiet teenager, but the secret that has defined their lives threatens to destroy the home they have so improbably built.
A teen slams her car into a building, killing her boyfriend and his friend. What seems like a tragic accident becomes a murder case.
Featuring unprecedented access to Jim Henson's personal archives, filmmaker Ron Howard brings us a fascinating and insightful look at a complex man whose boundless imagination inspired the world.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.