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A man bored with his reality, works in the São Paulo government censorship department, is married to Isabel, but falls in love with Dora Dumar, an actress of the films he has the obligation to censor.
Follow the daily routines of the employees at "Ashauhsa & Shuasha." Narrated with much irony by the all-knowing and much-hated Monday, the employees' stories are filled with humor and sarcasm.
Surrounded by a lazy husband, a pedantic stepson, a sexist boss, a self-centered friend, and a neighbor who ruins her sleep with frequent parties, Bia must exert enormous energy to maintain control. But the arrival of a young influencer who takes a higher position than her at the magazine where she works is the final straw. On the verge of a breakdown, Bia ends up being treated by Deusa Xana in a kind of esoteric session. As a result, she frees herself from all filters and begins to practice zero tolerance for all the absurdities that affect her daily life.
Six people, one family, ten years later. Dois Tempos resumes the narrative of the lives of the Braz, created in 2000, in the documentary A Família Braz. In 2010 the same directors return to the same house to update the portrait of the six characters. A decade later, what has been done with your expectations of the past, how you live life in the present and what to provide for the future.
Three stories of infidelity unfold: a man falls for a married woman, a young girl draws the gaze of her sister’s fiancé, and a husband takes his unfaithful wife hostage after discovering her affair with his best friend.
A three-part documentary about Brazilian soccer—from the players who reach the top to those who don't make it there.
Brazilian music gets the royal treatment in this eclectic collection that features performances from such luminaries as Jorge Aragao, Fundo de Quintal, Alcione and Bezerra Da Silva. Songs include "Malandro"; "Vendi Meu Peixe"; "Amor A Primeira Vista"; "Do Fundo Do Nosso Quintal"; "Tendencia"; "Miudinho, Meu Bem, Miudinho"; "Pot Pourri: Poeira Da Idade/ Eu Sei Que Vou Te Amar"; "Parabens Do Brasil Pra Voce"; and more.
The documentary follows the genesis of Marisa Monte's album Mais in New York City and the subsequent tour that supported the album from 1991 to 1992.
The paraplegic Bóris stays at home with the beautiful young woman Cacau, while his wife Ivette goes to the movie theater. When Cadú, the boyfriend of Cacau, unexpectedly arrives in the apartment, a night of sex, sadism and violence happens. When Ivette returns, the fantasies of a sick mind are disclosed in a surprising end.