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El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship.
A group of children tells to the camera how they torture various animals, such as lizards, cats or mice. One of them tells how last summer, after attacking a cat with his friends, he saw something that made him reflect on what they did.
Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother's absence, asks for an "artificial" mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo's actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
A young man recounts the various paradises he has experienced throughout his life: altered states of being with substances; glue, hashish, LSD and heroin.
El Hormiguero is a Spanish television program with a live audience focusing on comedy, science, and politics running since September 2006. It is hosted and produced by screenwriter Pablo Motos. The show aired on Spain's Cuatro channel from launch until June 2011 and is now broadcast on Antena 3. Recurring guests on the show include Luis Piedrahita, Raquel Martos, Marron & "The Man in Black", and puppet ants Trancas and Barrancas. It has proved a ratings success, and has expanded from a weekly 120-minute show to a daily 40-minute show in its third season, which began on September 17, 2007. The show won the Entertainment prize at the 2009 Rose d'Or ceremony.
See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.
David Broncano, along with Jorge Ponce, Ricardo Castella and his other collaborators, lead La Revuelta, a comedy show that includes multiple sections and interviews from the Teatro Príncipe Gran Vía in Madrid.
In 1920s Madrid, four women at the National Telephone Company ring in revolution as they deal with romance, envy and the modern workplace.