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In this sequel to Blueberry Hill, the boys of the Catholic metal working-class, who are now all working, decide to take revenge on the hated former principal Verbiest, after the sanctimonious 'pillar of society' assaulted one of their girls.
One day a garage owner finds an atomic bomb that has been lost by an airplane. He hides the bomb and shakes the country when he announces that he will not return the bomb until the production of such weapons of destruction is stopped.
The Herts Camera Sutra or The Palefaces (1973) is a militant and visually fragmented critique of Belgian bourgeois society, blending documentary collage with semi-autobiographical fiction. De Hert attacks the distractions of nationalism, religion, and popular culture while exposing capitalism, social injustice, and postcolonial exploitation. The film’s second half shifts to a disillusioned group of rebellious youths, revealing the uncertainty and emotional paralysis behind revolutionary ideals. Both politically fierce and deeply self-questioning, the film captures the tension between radical ambition and powerlessness.
Six young filmmakers were each given the chance to shoot a short on a common theme. Combined, their efforts result in a feature. The idea is to tell an alternative history of Antwerp, based on tall stories, rumors and events.
Robbe de Hert’s Henri Storck, ooggetuige (1986) is a brilliant cinematic homage to the founding father of Belgian documentary cinema. Filmed around Storck’s 80th birthday, the film eschews standard biographical formulas. Instead, De Hert crafts an intelligent, vibrant collage that synthesizes rare archival footage with intimate anecdotes told by Storck himself.The documentary excels at tracing Storck’s evolution from an Ostend avant-garde poet to a fierce social activist. De Hert’s signature rebellious tone shines through in bold creative choices, such as overlaying John Lennon's "Working Class Hero" onto the silent, gritty footage of Misère au Borinage (1933). This creates a powerful bridge between 1930s labor struggles and modern social critique
The documentary's legacy lies in its unapologetic fusion of agitprop and satire, a signature style of De Hert’s Fugitive Cinema collective. By juxtaposing Mandel’s economic theories with absurd military parades, the film exposes the contradictions of a society preparing for war while its social fabric decays. De Hert employs rapid montage, pop music, and street-level interviews to strip away the facade of state authority.Decades later, Le Filet Américain remains a vital historical document. It captures a specific era of Belgian polarization, marked by economic crises and the rise of the gendarmerie. The metaphor of the meat grinder endures as a powerful critique of how institutional systems compromise individual dignity for corporate profit.
Documentary exploring why Belgian television doesn't invest more money in Belgian cinema as is the case in e.g. the netherlands.
Story of two con men, Boorman and his younger assistant Laarmans, who are trying to sell companies their non-existing magazine.
In the harbor of Rotterdam, an action group called "Redpeace" discovers illegal weapon transports. Those are executed by shipping-trade Kusters Shipping Company. The discovery is annoying for Ann Kusters, the wife of Erik Kusters. She functions as a translator with the European parliament. It gets even worse when Ann is discovered and photographed while she's having an intimate rendez-vous with a french politician, whose investigating the illegal weapon transports. Short after, the man is found dead...