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Arini is "misled" by a close friend, Ira, who wants to marry her husband, Helmi. Eventually she finds out this plan, so she asks for a divorce and leaves her son, who later is discovered to have kidney failure. She leaves for the U.S. where she meets Nick, a student who wants to escape from his conservative, and troubled family. Nick really loves Arini, but the latter is still involved in many matters related to her ex-husband. The director, Sophan Sophiaan, who has a political activist family background, always uses his films to criticise social and political issues. Only this time, he does it in a more subtle way.
Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.
Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.
Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.
When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.
It tells about the love story between Romi and Juli, which is opposed by Juli's parents due to Romi's upbringing in the overseas. Romi's father is a diplomat. But Juli's father refusal dampens down when the doctor tells him that Juli suffers from leukemia and she would not live long.
The movie follows two castaway children who grow up with one of their fathers, but must fend for themselves after they are captured and deified by natives. Adapted from Henry De Vere Stacpoole's novel The Blue Lagoon, via the film of the same name, Pengantin Pantai Biru introduces several differences to the story.
Euis, a beautiful village flower girl, was forced to follow Mang Emon and his wife Jujuk, illegally to Muangthai. When they arrived there, Euis and the other girls were only used as entertainers. They were powerless to fight Mang Emon and his cruel thugs. Euis' desire to escape was still burning. She started saving as provisions. Euis then got acquainted with Ario, a Javanese young man who worked there. The two fell in love. Ario intended to help Euis get out of the valley of hell. At one point Euis' savings had been collected, but were stolen by Mang Emon's men. After Mang Emon's death, Jujuk intended to sell his brothel. The sale of the brothel became a fight among them. This commotion was an opportunity for Ario to arrange an escape. Finally they managed to escape, returned to Indonesia and then they set up a convection business.
Ineke and Jamal, have already discussed their marriage plan, but disaster strikes. Ineke is hit by a horse, and faces the possibility of paralysis. Jamal, who has already applied for a job in the oil industry, has to leave her in the hospital and goes to Natuna island. Jamal never fails to send her letters, but his letters are always kept by Ineke’s mother. Doctor Yaman, who has just returned from Timor Timur, is challenged to cure Ineke. His effort is successful and he even marries Ineke who has forgotten about Jamal. Then Jamal returns home and is heartbroken when his younger sibling informs him about the situation. Ineke’s mother feels guilty.
Director Wim Umboh experiments again and the first third of the movie is filled with a series of images almost without dialogue relating the work of brothers, Johanes and Leo Mokodompis.