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Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.
Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.
A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.
Symbolicus is an experimental anthology project developed by extreme horror maestro Marcus Koch (100 Tears, AGP: Bloodshock). Assigned with nothing more than a symbol, filmmakers were granted full control and creativity to construct absolutely anything they wanted. Spanning over three volumes and consisting of works from 39 different filmmakers from around the world. Symbolicus defies the boundaries of traditional filmmaking, dismissing the concepts of genre or narrative. Delivering a cinematic experience like nothing you have seen before.
The exploratory voyages of man to Mars began in 1988. Most astronauts returned from space travel mad or with mystical delusions. As long as total secrecy was maintained, a select group of journalists spread across the planet were aware of these excursions, among them some journalists from the staff of O GLOBO. The astronauts reports are rare, but constant and delivered in two ways: audio reports and footage of the field trips, starring the brave Brazilian astronaut Erivaldo Mattüs. With the mysterious disappearance of our hero from Alagoas, the time has come for some of these reports to come to the attention of the public, through the infallible archives preserved by Gurcius Gewdner.
Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.
It's 2019: a totalitarian odyssey. Cold winds. Death pulse. Dancing and eating, with penguins and tortured humans screaming in the abyss of death. Every year they travel to the coast with the intention of dancing and then die. All over the world, there's more than meets the eye. Land and sea to share. Red, yellow, black and white. There's darkness and there's light. Sad stories are told, but it's good to be alive.
With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?