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Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.
January 1966. In a Paris apartment, police discovers the corpse of Georges Figon, the man who broke the scandal of the Ben Barka affair and undermined Gaullist power.
François Marcorelle, an investigation magistrate in Chambéry, finds himself in the room of a young Polish girl that he met in a restaurant
African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.
Documentary about new chinese cinema.
After the Second World War, Claude, son of communist resistance fighters, whose mother died in Auschwitz, and Ben, child of a prostitute and a Jew, face the demons that haunt them with the help of Françoise Dolto.
Brian and Nourredine are two lousy young offenders. Their flights have a motive: a film brought back from San Francisco where the father of Brian, singer of rock of the sixties, today in prison, made a tour.
In 1978, Gilles Jacob landed what must seem like a dream job to many film buffs -- he became the director of the Cannes Film Festival, the world's biggest and most prestigious event for international cinema. Born in 1930 to a Jewish family, Jacob survived World War II by hiding out in a Catholic seminary, and developed a passion for movies as a teenager, attending school alongside future director Claude Chabrol. In his late teens, Jacob founded his own film magazine, Raccords, and he later became the chief film reviewer for L'Express (where he lost his job for having the temerity to give The Story of O a bad review). In 1978, Jacob took over as director of the Cannes Film Festival, and set out to make the world's greatest film festival even better by creating new showcases for promising talent (while still maintaining room for gifted veteran filmmakers), expanding the facilities and continuing to entertain and challenge audiences each year.