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Savage Myths deals with various concepts concerning nature, individualism, capitalism, and technology, which is presented as an absurd and formalist film.
Two sisters try to come to terms with their past, while striving to understand the uncertainty of the present.
An unwelcome guest disturbs the habits of his former friend, as their history repeats itself.
Con artists. Architecture. City planning. A play (both real and false). A comedy? A farce? An absurdist romp through a 21st century American city? Coffee. Cousins? Ideals are dead. Grants. Capitalistic pigs. Four women. Rich kids. Dead on the floor? World gone mad? Ideals are dead. It is the world that has gone mad. Paranoia. What is there left to do? Who is mad? Ideals are dead. In a world gone mad.
A boy and a girl sit at a table within the frame and talk of wanting to change, while not moving at all.
Two women contemplate the end of time.
Episodes from an Investigation is an essay/narrative film presented as a series of fragments from the lives of numerous cinephiles and radicals living in 21st Century America. The film cuts between three related narratives: a film collective on a journey to find a mysterious film theorist/filmmaker; a couple whose relationship is falling apart as they each work on pieces concerning the cinematic past and the cinematic present; and two cinematic radicals holed up in an unknown location trying to understand how to revolutionize cinema.
A young woman struggles to free herself from the shackles of her living situation, while at the same time trying to find a new way of understanding herself, her thoughts, and her ideas. She has the desire to progress and grow intellectually.
In 1926, Newt Scamander arrives at the Magical Congress of the United States of America with a magically expanded briefcase, which houses a number of dangerous creatures and their habitats. When the creatures escape from the briefcase, it sends the American wizarding authorities after Newt, and threatens to strain even further the state of magical and non-magical relations.
Artist Antoine has lost all inspiration and slipped into alcoholism since the death of his wife Irène, a loss he blames himself for. Suzanne is a penniless sideshow performer pretending to be a clairvoyant, whom Antoine consults in a bid to connect with Irène. Antoine’s dealer Armand, desperate to keep Antoine from falling apart, urges Suzanne to keep the ruse alive. She stages a series of improvised hypnosis sessions, claiming she can channel Irène in exchange for having her debts paid by Armand.