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Returning to Saint Petersburg after a long exile, the dashing Yakovlev, a retired army officer, makes a comfortable living by winning other people's duels. An enigmatic, focused, and extremely skilled professional, he leaves a trail of dead bodies behind him as he swirls through polite society, frequently called upon to wield a pistol as a surrogate in duels at dawn. But when Yakovlev meets the naïve young Prince Tuchov and his beautiful sister, Princess Martha, the normally cold-hearted mercenary is surprised by hitherto undetected emotions. What transpires uncovers a series of revelations about his past and his present self.
A provincial war vet arrives in Moscow and subsequently takes on a gang of bad cops.
A mining town in Russia at the end of the nineties. A miners' strike has paralysed the place, corruption and fraud are flourishing in the transitional period from a socialist economy to a market economy. In this world of lost souls lives Yekaterina Artemovna (Katya). This unconspicuous woman has, in the words of her future lover, a "heart of gold". The only bright spots in her lonely life in a meagre communal apartment are literature and her work in the town library. The only bright ray flashed in the life of the heroine is a visiting sailor. But he turns out to be a gigolo and leaves the poor woman. The tense string inside the heroine bursts, the iron nerves lose, and restrained Yekaterina at this point loses all patience with life and ready for the most desperate and cruel revenge...
Following a brawl, Captain Ignat, who is traumatised by the death of his daughter, is ordered together with a regular soldier to find a deserter and bring him back via Moscow to stand before a military court. Although they locate the young soldier, their journey across the wintry moloch that is Moscow is slow and tortuous. Before long, the unlikely trio find themselves drawn into a chaotic maelstrom of violence, corruption, criminality, degradation and squalidness. In the face of the monstrous malaise and everyday horror of life in Russia, the gradual breakdown of the film’s anti-hero becomes a metaphor for Russian society.
The year is 2032. Ten years after a war with a race of genetically altered humans dubbed ‘rats’, special units of ‘rat catchers’ seek out and exterminate the last remaining hybrids. One of them is Zoe. She manages to evade detection using a false identity, and becomes a rat catcher herself. Any out of character slip on her part could expose Zoe for who she really is, and an encounter with her ‘rat’ father, with whom she lost contact during the war, could cost Zoe her life.
Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of late 1990s New York City, forced to navigate a treacherous underworld he never imagined.
In 1977 Moscow, two "PONIES" ("persons of no interest") become CIA operatives and uncover a Cold War conspiracy their husbands were killed for.
After graduation our main character Yesenia dreams about work- ing with Rodion Meglin. He is a mysterious, secretive man, a lone investigator with little known about his methods. When Yesenia turns into his trainee she begins to realize that the essence of his method is that Meglin himself – that of a maniac. He feels them instinctively. He is allowed to eliminate some of them, look after others and save their lives. Our heroine who was never meant to work alone will go alone, facing the most horrible crimes of the last decade.
After an alien ship crash lands in a Russian city, many who see the inside and the occupants start to question their own existence while others demand the aliens leave Earth.
Boys of fourteen years old find themselves in the Suvorov school – someone thanks to family tradition, someone for the sake of high ideals, and someone not even of their own free will. Having entered Suvorovskoye, the guys at first do not represent the full extent of the load, and most importantly, the responsibility that will have a profound impact on their subsequent life.