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A festive day in the Timorense community stranded in the Jamor Valley. A partisan who came from Timor and his story. A look at an abandoned people.
Francisca, a beautiful 50-year-old widow, prepared a peaceful future for herself. In an unexpected outburst, she grabs an opportunity for change and embarks on a sailboat called ‘Hovering Over the Water’.
A woman recovering from a personal tragedy imprisons a man she met at a party, shutting him in a room of a building demolition.
In a remote island where mourning was settled, a man decreed that there will never be sex or children anymore... The island gets desolate and he decided to send his daughter, Adriana, to the mainland to form a family by natural methods.
The young girl, Antónia Margarida Castelo Branco, is handed over by her mother to Brás Telles de Meneses because of the obscure interests between rural aristocratic families in the North. Brás is a ruined man, a bohemian with a reputation for violence and erratic behaviour. Antonia’s fortune is the first sacrifice made by the young wife. Fascinated by the man who humiliates and ill-treats her, she follows him in a pilgrimage to increasingly barren lands, to increasingly less hospitable houses.
The young film student Maria do Mar is working on a documentary about the old manor houses along the Douro River. It is the final project in her thesis on “Reality in Cinema”. Maria has an unlimited confidence in what is visible. Her candour and her naivety allow her to see the bright side of life – such as the beauty of the landscape and the authenticity of the place, or what’s left of it. But when Maria enters the final manor house on her list, she soon realises that something is going on in this house that is not as innocent as it first seemed. The manor is truly a house of horrors.
Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.
Fernanda, António and Quim are travelling by train to a provincial Portuguese industrial city. Fernanda, a teacher, agrees to replace a pregnant colleague. António is returning to the home he was forced to flee long ago, accused of setting fire to the Duarte’s factory. At the station he bumps into Mariana who is in love of him. António is not welcome and is violently attacked by a group connected to Duarte ...
At the center of this story is Aurora Guerra, a popular actress who became a star in the teen series "The Chosen Ones" at an early age. Irene and Julio, Aurora's parents, signed her up for a casting several years ago and the matriarch, realizing that the decision was between her and another girl, managed to play the casting director in Aurora's favor. Lúcia has the same dream: to be a successful actress and decides to apply for the casting as well, but she soon realizes Irene's scheme and decides to confront her. After a violent argument between the two, Lúcia ends up having an accident that almost took her life and killed her chance of becoming an actress, due to the physical disabilities she was left with. Twenty years later, Lucia is determined to take revenge. The young woman wants to get back what she believes Aurora has taken from her, far from imagining that she is just a victim of Irene's evil deeds.