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Count Ferdinand, a submarine commander and secret pacifist refuses to torpedo a defenseless passenger ship during wartime. His submarine is sunk in the following fracas. In the spirit world, Christ commends the captain, and returns to earth in the commander's body to promote His message of peace.
Jimmie Keene is an ardent devotee of the art of self-defense and never misses a boxing match when he can help it. Jimmie's father, however, being a deacon in the church naturally frowns upon such affairs, regarding them as brutal and demoralizing. Jimmie buys a ticket for an exhibition of this nature, but in rushing out of the house to attend it, he drops his ticket and leaves without it. The ticket is picked up by the maid, who hands it to Deacon Keene.
A lost film. The king is good-natured and doesn't suspect that the queen is plainly beginning to think too much of one of the courtiers. The queen's sister is aware of the situation and saves the queen by taking her place. This deceives the king, but he requires that the villain and the queen's sister be married which complicates the situation as the sister is in love with another courtier entirely.
The U.S. Army and the Sioux Indians sign a peace treaty. However, a group of surveyors trespass on the Indians' land and violate the treaty. The army refuses to listen to the Indians' complaints, and the surveyors are killed by the Indians. A vicious war ensues, culminating in an Indian attack on an army fort.
A lost film. A Teacher is struggling to control her classroom. Her failure has evidently reached the ears of the members of the board of education, and a committee of the guardians of public instruction visits the school. and the shortcomings of Ruth, the teacher, are apparent. She is dismissed from her position in disgrace; a holiday is proclaimed. The children depart, and Ruth is alone in her sorrow and bitterness of her failure. Sorrowfully she dons her wraps and leaves the school room with its disappointing memories. Ruth then applies for the position of a stenographer in an office.
A loutish husband neglects his patient, loving wife to enjoy a night on the town. When he comes home drunk and irritable, he mistreats her. Then he falls asleep, and has a dream that causes him to reconsider the way that he treats his wife.
The mind of theology student Webster Smith becomes unbalanced from strain.
Layabout Al Beresford is in a position of responsible in the brokerage film he works in only because of his smart and self-sacrificing wife Mary. While he dawdles and wastes his time she works behind the scenes to complete his work in order to save his position. One day when Al is out wandering Mary delivers important documents she's completed to Wall Street broker Elihu Jasper. He in turn is charmed by her and offers Al a job, though he recognizes his worthlessness. Jasper offers him many tips and with Mary's support Al prospers. Foolishly not realizing it is due to the work of others Al leaves Mary and is soon ruined, taking desperate measures he frees Mary to enjoy a life with Elihu.
A troubled young woman comes to live with her estranged father on the New York waterfront. A tough sailor falls in love with her, sparking conflict between her father and her suitor. What neither knows is that she has a secret that could cause her to lose both of them.
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.