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Lô Borges works on an album of new songs while traveling around Brazil on a tour that brings back the repertoire he composed in 1972 for Clube da Esquina.
João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.
1983 — A young biologist returns home from studies abroad and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends will be lost and the future is uncertain.
Rodrigo, the director of this film, was given three months to live. Lonely in facing death, he searches for Eduardo, his first boyfriend. But Eduardo won’t answer.
"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.
Three workers gather around the preparation of a party in a museum. Apparently unknown, contacts between the three reveal profound implications in the past. In the center of the clashes there's a child. Lurking, the Devil.
The painter Lauro seems to have a good life: he lives with his beloved wife Erika, and is successful working with art. However, he is not happy. One day, Lauro runs into Theo, a friend he hasn't seen in years. Both have already been in love with the same girl, Clara, who no longer lives in the city. It doesn't take long for the two to start remembering them as stories from the past, while taking a long walk through the streets of Vitória.
To crack the code of an investigation into a larger-than-life robbery, federal agents need to get creative.
Three friends leading a nonprofit organisation investigate environmental crimes in the Amazon involving a major mining company.
Maria de Déa, Lampião's companion and first woman in the Cangaço, is a fearless young woman who dares to have a voice in a group of outlaws. In a life of escapes and armed disputes, Maria faces a pregnancy and is subdued to the harshest law of the Cangaço: handing over her baby to be raised by someone else. She begins to live between life in the group and the hopeless desire to raise her daughter.