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This is a film about Juhan Peegel, a linguist and lecturer, professor and writer, a former soldier. Against the background of all these facets, the viewer is presented with an amazingly simple and modest human nature, who values the warmth of home and the land of his birth above all else.
The small town locals of Mustjala are the Indians of Estonia - they are ravaged by alcoholism and depression, because they've been ignored by the shiny capitalist dream. But then a German tourist ship boards in Mustjala. Could it be the realization of an old Estonian legend about a white ship coming from another land and bringing joy and prosperity for the local people?
In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.
The action takes place in post-World War II Estonia. An old man lives alone on a deserted island which the Soviet fighter planes use for nighttime target practicing. A young neglected boy, who has become mute, is banished from the mainland and sent to the island to keep the old man company. Both are haunted by memories, the boy about his mother and the old man about the years before World War I he spent as a young missionary in Africa
A poetic feature-length documentary made up of short vignettes, it is the story of Gypsies who always carry their homeland with them. Estonian and Russian-speaking Gypsies have been living in Estonia throughout fifty years of Soviet occupation. Through the colorful gypsy characters, the culture and vitality of the nation unfolds.
Jeremia Juunas Kirotaja has been fighting in Afghanistan; 21 years later he returns to Estonia to his father's funeral. He has converted to Islam and his only connection to his native land is the sound of his daughter Angel's crying that he heard a long time ago on the phone. Jeremia starts to search for his family. The daily life - if this can be called life in the first place - of the dusty and abandoned town is being run by women since men are almost gone. Nevertheless, the women seem to hope that Jeremia will be able to do something about it in order to remove the paralyzing feeling of emptiness.
A documentary about the everyday life on a film set and the elusiveness that still confronts the artist and without the pursuit of which there would probably not even be failures.
In a Christian culture, suicide is a taboo, and a soldier's suicide is a double taboo. Rivo, who has been on a military mission to Afghanistan twice, suffers from a post-traumatic disorder, which ends in suicide. For four years, Rivo's girlfriend Hanna tries to battle his psychological disorder, but then gives up and moves from Estonia to Australia. Six months later Rivo steps in front of a train.
A portrait about composer Galina Grigorjeva. Born in Ukraine, she studied at the Simferopol Music School and the Odessa Conservatory, graduated from the St. Petersburg Conservatory under Yuri Falik in 1991, and pursued her master`s studies at the Estonian Academy of Music from 1994 to 1998 under the guidance of Lepo Sumera.
The physionomy of a city through its people.