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A mysterious boat returns to a village 30 years after vanishing. Two men join its crew hoping for better fortune. After one voyage, they find themselves transported back in time, mistaken for the original crew.
Martin Ward is a cove fisherman, without a boat. His brother Steven has repurposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a getaway for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.
The Newlyn School of artists flourished at the beginning of the 20th Century and the film focuses on the wild and bohemian Lamorna Group, which included Alfred Munnings and Laura and Harold Knight. The incendiary anti-Modernist Munnings, now regarded as one of Britain's most sought-after artists, is at the centre of the complex love triangle, involving aspiring artist Florence Carter-Wood and Gilbert Evans, the land agent in charge of the Lamorna Valley estate. True - and deeply moving - the story is played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.
A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.
A Cornishman's travels in Ireland, through Wexford, Waterford and Cork in search of the familiar.
An interwoven seaside hymn to gift wrapped promises and unwanted presence.
A young couple quest for a roof in this Cornwall-set drama with the atmosphere of a thriller, made with hand-developed B&W 16mm.
A divorcee takes his children on a trip to Cornwall.
A poet is driven to complete a poem within an old writing case by the ghost of the last owner.
"In 1993 I travelled to London from Cornwall with the intention of shooting a music video for 'London' by The Smiths. I had transcribed the lyrics and noted the timings and had then made a detailed shot-list. The whole thing would be edited in camera on a single roll of Super 8. Over the next few years I projected the film so many times that much of it became damaged. Here is what is left of that first roll, inter-cut with footage shot a few years ago in East London when I started shooting film again." - Mark Jenkin