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Anthropological record with aspects of this festival, when it did not yet have the subsequent production levels.
Experimental film by Aldo Francia that consists in diverse situations through the 123 steps of the Santa Justina staircase in the Cerro Larraín of Valparaíso.
Unfinished film made by Aldo Francia in 1966. It tells the story of a solitary subject who walks the streets of Valparaíso.
Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.
A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.
Sequence filmed at the popular religious festival of the Virgin of Andacollo, Chile.
A tour of one of the most famous districts of Paris, marked by the passage of umbrellas, especially a red one that seems to be the protagonist of the short film.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.