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"The Girl's Shepherd" - at that time a common name for a pimp. About promiscuity and naivety leading up to complicated situations.
A couple are at the theatre with a playwright friend. At the end of the play the jealous husband strangles his wife to death. When the play ends, the man talks to his friend about such a nonsensical finale, telling the author that no man with any sense ever gets jealous enough to choke his wife in these modern times. The playwright decides to test this supposedly perfect couple about their happy feelings for each other.
In 1908, Sultan Abdul Hamid rules the Turkish Empire, but he is faced with the threat of revolt by the Young Turk party. He allows Hilmi Pasha, the leader of the Young Turks, to return from exile and form the country's first constitutional government. With tensions still growing, chief of police Kadar Pasha assassinates Hassan Bey, the leader of the Old Turk party, and makes it look as if a Young Turk committed the crime, in order to give Abdul an excuse for arresting the Young Turk leaders. Meanwhile, Abdul becomes infatuated with a visiting Austrian singer. When she rejects his advances, she endangers both herself and her fiancé, a Turkish officer who also knows who really shot Hassan Bey.
The movie follows two distinct plot lines until the two eventually merge: the first is that of the bored middle-aged man seeking a departure from monotony in his life; the second is that of the blind man and the little boy, his grandson, who are interdependent. None of the characters have been given names and are therefore referred to only by description. The city is an expressionistic nightmare, a dangerous and chaotic place.
Based on the semi-fictionalized autobiography of a trans and intersex person published in 1907 as an anonymous biography under the pseudonym NOBody. A child born without a clear gender is raised by the father as a boy, later by the uncle as a girl and dissected after death.
A mill situated on the border between two unnamed countries and the residents therein become pawns in a future war.
"Katharina Knie" is a 1929 German silent drama film directed by Karl Grune and starring Eugen Klöpfer, Carmen Boni and Adele Sandrock. It is based on the 1928 play of the same title by Carl Zuckmayer.
This presentation of 'Waterloo', a film by Karl Grune about the last hurrah of Napoleon, is a fascinating companion to the Abel Gance epic 'Napoleon'. 'Waterloo' presents a tale of several people involved in the final battle. Napoleon and Wellington, of course, but also the Austrian general Blutcher (who is seen as a ladies' man - his scene with a flirty Countess about halfway through the film is priceless; as are his touching scenes with his plain wife (who he imagines to be a young and nubile girl when they get romantic) and some people within his regiment. Not simply a film of war, 'Waterloo' is a story of people, of lovers, of lost opportunities.
After the revelation that Georg has seduced her, Maria is driven away by her father. Georg, fearing the wrath of Maria's father, has swiftly abandoned the girl and left for the mining town of Sankt Anton, where he expects to hide easily amongst the large population of colliers. Maria must care for herself, and ends up in Sankt Anton, where she attempts to rebuild her life. There, she gets to know Thomas, and soon the young people are engaged. When Georg and Maria meet again, drama ensues. The film originally ran 97 minutes.
The young Crown Princess Luise of Mecklenburg-Strelitz grows up sheltered in the North German countryside in the late 18th century and develops into a bit of a rebel. She struggles to come to terms with the rules of etiquette at court; her actions are often spontaneous and driven by emotion. Thus, she resists accepting her father’s mistress and future wife. During a ball, she snubs her future stepmother and even has the audacity to ask the orchestra to play a waltz—a dance considered deeply improper at the time.