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Soviet border guards are fighting a gold smugglers near the Chinese and Mongolian borders.
Local baron decides to take poor Kikola’s land and orders a local witch Babale to persuade Kikola’s wife that non-compliance will bring suffering to their children Kato and Kajana. On the day of the Bonfire, Kato plays a wicked trick on her brother by dressing up as an evil imp. The shock makes Kajana dumb. The parents take him to a distant village where he has to "meet the miraculous icon" in hope of recovery.
Mzia’s classmates have decided to stay in their village and work at the Sovkhoz after graduation. But Mzia’s mother wants her to go to Tbilisi to become a student.
Film about the childhood and teenage years of the national poet of Georgia Akaki Tsereteli.
The film delves into the moral dilemmas of human relationships. An old sailor, the sole survivor of a ship that sank during the war, grapples with the weight of a moral compromise made many years ago. As he reflects on his past, he recalls his carefree life, filled with mistakes, and the crime he committed against the captain of the lost ship.
A Soviet army unit finds a bridge over a river blown up. The Ilo Gigauri Battalion is tasked with rebuilding it. Under constant enemy artillery fire, the fighters work selflessly to rebuild the bridge and successfully complete their combat mission.
Based on the autobiographical book "Ya -sam" (I-myself) by Vladimir Mayakovsky the leading Russian Futurist poet of the beginning of the 20th century. He was born in 1893, into a Russian Cossack family in the Transcaucasian kingdom of Georgia, then part of Russian Empire. There he spent his childhood and boyhood attending a grammar school in Kutaisi. Mayakovsky moved to Moscow at the age of 14, after his father's death. He became a poet, an artist, an actor, a writer/director and public speaker.
Southern seaside town. High school students Olya and Mitya met at sports classes, made friends. Suddenly the girl's mother dies and Olga, left in the care of a semi-literate aunt, decides to leave school and go to work. Mitya's family, and first of all, of course, he himself, already in love with Olya, convinces her to move to live in their house. Participation and caring attention literally returns the girl's interest in life and further studies. However, rumors spread around the school about the cohabitation of two students, and hints were made about the intimacy of their relationship. As a result, young people quarrel. But real friends and family of Mitya are trying to help the lovers sort out their feelings.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.