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Zózimo Bulbul’s film is dedicated to Zumbi dos Palmares and to all Maroons dead and alive. It portrays the life of Aniceto, who was 72 years old at the time: a union leader, a stevedore at the Rio de Janeiro port and founder of Escola de Samba Império Serrano
The film, shot in Dakar, Senegal, has testimonials from intellectuals, politicians and religious, who present an overview of the 50 years of independence of the countries of West Africa and the interpretation of the sculpture created recently in Senegal, which it represents, precisely, the African renaissance.
A documentary short on Rio de Janeiro's district known as "Little Africa", shot on location, in which children and elders talk about the place's history.
The making of the samba school parades, with the construction of the great cars, the decorations being spread all over the city and the hand-crafted tailoring of the costumes by apt hands that stitch together colourful and glowing materials.
Inspired by Black Panther Eldridge Cleaver’s book Soul on Ice and dedicated to John Coltrane, Soul in the Eye marks the beginning of Black Brazilian films. The film is a metaphor for the legacy of culture and survival bestowed by enslaved Africans brought to the American continent and the search for freedom through inner transformation, in a game inspired by concretism.
Filmed in a mini DV, the film "República Tiradentes" is an affective poetry, based on the stories of gafieira dancers, actors, rascals, girls and all the bohemians who lived and live moments of joy and glory in downtown Rio de Janeiro. It is a tribute mainly to the origin of the gafieira.
In 1988, the centenary of abolition of slavery in Brazil, Zózimo Bulbul made this powerful historical analysis of racial issues in his country. This documentary provides an in-depth look through extensive archival researching and interviews of key figures who were involved in preserving black culture. Aside from historical testimony, this epic documentary also points to the current relevance of facing the racism that still confronts the black population in Brazil.
During a showing of rare Afro-Brazilian Cinema films at the Cinematheque of the Museum of Modern Art of Rio de Janeiro, actor/filmmaker Zózimo Bulbul gathered some of the most notorious Brazilian black directors to talk about their works, their lives and their perspectives on the future.