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In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.
Overall, the idea is to make ethnicities, politics, races, nations - to make all of them turn into non-existent objects... ...akin to ovals, boxes, blobs, wardrobes! You might think he's really "someone", really a "representative of the people", but really just a representative of skirting boards, of coffee rings, nothing more. Overall, political invective's that should be perceived solely as poetic invective's. Overall, spreading geopolitics across geology and poetics. Like a question-Eskimo, dancing and waving his ribbons in the air, turns and changes on a pillar, becomes a question-Holocaust. In fact, "geopoetics" is a kind of a Holocaust seen as a choir, as an ensemblement, as an Eskimo.
Why in the world is a Georgian chorus singing a traditional song that unexpectedly mentions the death of Saddam Hussein? The stars of the film, taken by surprise, talk about this odd turn of events "live". The conversation then shifts to samurais by the sea, the poets Mandelstam, Kliuev and Gorodezky, Moscow in the 1930s, and a Russian painter who immortalized Putin fishing. All surreal glimpses of the artist's relationship with power. The "second part" of a film that stirred a scandal at the Orizzonti section of the 2011 Venice Film Festival. Director's statement The goal of this experimental film was to apply the technology and linguistic peculiarities of modern fine arts to the cinema. The film consists of several lines: each of these lines was shot with its own specific stylistics in different corners of the planet.
In the early 90s, a company of young artists discovered the possibilities of video. Unlike film, which was expensive and required complex development, the video could be viewed immediately. Before that, in the history of mankind, it was impossible to get your copy (media copy) so quickly. They filmed everything in a row: their art events, parties, just life. Sometimes they became the heroes of TV reports, so that their lives and destinies are intertwined in the media space with what is happening in the country and the world, creating an endless meta film. This is the story of the Great Digital Revolution of the 90s, which forever changed our heroes and the whole world.
In the late 1980s, a now infamous squat appeared on Moscow’s Furmanny Lane, which quickly became a gathering point for the most promising young artists of the time (Mukhomory, Vadim Zakharov, Yury Albert, and Andrey Filippov, among others) and just daring, high-spirited individuals. The inhabitants of “Furmanny” recall life in Moscow’s first squat and the opportunities created by this unique site.
Talking heads dissecting their lives in post-communist Moscow; off-the-wall sketches; computer-animated insects in a futuristic scenario -- Silvestrov's film deftly eludes categorization while fathoming the very depths of the collective consciousness.
In the winter of 2021 rallies were held in Russia in support of Alexei Navalny. People protested against the arrest of the politician. The number of those detained at the rallies exceeded 17,000 people, many of whom received administrative punishment in the form of arrest. There were not enough places for detention in Moscow, and therefore the detainees were sent to the Center for the temporary detention of foreign citizens in Sakharovo near Moscow. As a result, an unusual group of people gathered in the special detention center - almost a thousand young men and women who were close in spirit. This film is their memories of their days behind bars.
All day long the TV shows an ice-hole. Ice-holes are the theme of the day, a winter tradition that unites believers and sportsmen, stars and walruses, the president and the unemployed. In the centre of the news reports are the topics of Baptism, fishing and the criminal chronicle. The president and a pike, the artist and the crit- ics, the oligarch and the law enforcement team – they all meet at an ice- hole in search of solutions for their problems. The jobless Muscovite, with bad habits, dives down an ice-hole for a wife, just like Sadko. The fairy- tale plots intertwine with documentary context, and it is no longer clear where reality ends. Remember Nietzsche: if you long gaze into the abyss, the abyss will also gaze into you.
Timur Novikov: Zero Object positions the late artist Timur Novikov as protagonist in this exploration of underground art from St Petersburg. As well as providing a historical overview of the 1980s-1990s, the film features iconic figures in St Petersburg’s underground scene: cult rocker Victor Tsoi, and artists Georgy Guryanov, Vladislav Mamyshev-Monroe and Sergey ‘Africa’ Bugaev, among others. From beginning to end, it’s a manifesto for personal and artistic freedom in a forbidding political climate.
Based on the play by Alexander Griboyedov.