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This earliest surviving Romanian horror-thriller is distinctly un-Romanian in several ways: an adaptation of Arnold Ridley’s play of the same name (best known through its 1941 film version starring Arthur Askey), TRENUL FANTOMĂ was shot in Hungary as an alternate-language version of KÍSÉRTETEK VONATA (1933), with both films using footage taken from the 1931 British movie adaptation.
Simultaneously filmed Romanian language version of Marie, Legende Hongroise: a peasant girl is cast out of her society after a man,who really loves the daughter of her employer, gets her pregnant.
The story of a seminary student who had an affair with a widow but is forced by his family to put an end to that relationship. The seminary student becomes a priest and one day he finds in the streets a ragged child that is the son he had with the widow. When the boy grow up, he lives together with the priest's daughter without knowing that she is his own sister. One morning, when the priest sees the two together, absolutely mad and full of pain, kills them.
Clara and her two sons escape from her abusive husband with little more than their car and plan to start over in New York. After the car towed away, the family meets Alice, who gets them into an emergency shelter. While stealing food at a Russian restaurant called ‘Winter Palace’, Clara meets Marc, who has been given the chance to help the old eatery regain its former glory. The ‘Winter Palace’ soon becomes a place of unexpected encounters between people who are all undergoing some sort of crisis and whom fate has now brought together.
A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
American retired Judge Randall Nemes and his hired gun, Gaspar, track down a con man posing as a priest in a small Colombian town only to be thrown off-course by a scrappy 16-year-old girl intent on reuniting with her sister in the United States.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.