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Twenty-five films from twenty-five European countries by twenty-five European directors.
Jakub's life arrived at a dead-end. He leaves his job, and gets into conflict with his father. The trouble just grows by his relation with a married woman. Breaking out, Jakub realizes the pleasures of the countryside in the old garden of his grandfather. He finds true love with an angel, and encounters various exciting moments of his new free life. Strange visitors arrive, and he wont get back to town anymore.
80-year-old Ali Ungar comes across a book by a former SS officer describing his wartime activities in Slovakia. He realises his parents were executed by him. He sets out to take revenge but finds instead his 70-year-old son, Georg, a retired teacher. Georg, who had avoided his father all his life, decides to find out more about him and offers Ali to be his interpreter.
A four-story omnibus depicting different Czech slices-of-life from the titular city.
Two-part documentary about the Czechoslovak "New Wave" in the '60s, including interviews with directors, actors, and others involved in the industry at the time.
A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.
In Slovakia, the sixteen year-old Terezka is discharged from her school with a letter to her mother. Along her surrealistic journey to find her mother, Terezka entwines reality and fantasy and meets a man that is hired to burn clothes; a woman buried on the ground; a young bride that is marrying the forty and something year-old widow of his brother to support her family as a tradition in their village; her younger brother that is intern in a special school; a decadent TV comedian and his wife; a powerful mobster in the kitchen of a restaurant; one lover of her mother in her former address; and finally her promiscuous mother that advises her to travel through the world.
Ten short unrelated stories that move chronologically through Slovakia's twentieth-century history as seen from the perspective of life in small towns and villages.
The shouted teacher Dušička is not having the best time of his life. He is going through a crisis with his girlfriend who wants to own him. He has problems at school, forcing him to change the way he teaches. He worries about his neighbors, who impose middle-class principles on him. And to top it all off, he finds a live horse at his home for Christmas. The situation is all the more absurd because he lives in an apartment on the second floor of an apartment building. Dušička has no idea how the white man got to him, who he might be, and he has no idea how to get rid of him. But the presence of the circus clown becomes not only a source of bizarrely comical situations, but also a catalyst for his relationships. Dušička recognizes the true face of the people who surround him. Because in a heated situation, everyone loses their masks. He begins to understand that his environment forces him to make compromises that are against him.
What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.