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Supposedly dead that very morning in the pool from a "broken heart" while swimming the butterfly stroke, a strangely rejuvenated mother visits her daughter. In another time, further south, a village priest believes he sees a wall of his church shedding tears that form a face... Miracles? It's a matter of perspective, and even of hearing, suggests director Samuel Achache cheerfully. Certainly, a birth and a romantic encounter, two events that will also be discussed here, can be described as miraculous. But what about when a phenomenon that defies the laws of nature actually occurs?
Goethe's masterpiece set to music by Jules Massenet can be rediscovered on stage at the Opéra Comique, conducted by Raphaël Pichon and directed by Ted Huffman.
Beneath the gilded ceilings of the Palais Garnier, Gustavo Dudamel takes us on a colorful journey between Spain and South America, performed by the Orchestra and singers of the Paris Opera Academy. The program includes works by Heitor Villa-Lobos, Leonard Bernstein, Astor Piazzolla, Enrique Granados, Kurt Weill, and others.
After marrying the emperor of the south-eastern islands, the daughter of the king of the spirits lost her magical powers without acquiring the shadow that would seal her place in the human world. Under the baton of Klaus Mäkelä, Barrie Kosky transforms Strauss’s most ambitious opera into an allegory of the awakening of consciousness.
When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music.
In March 2024, to mark the 300th anniversary of Johann Sebastian Bach's St John Passion, premiered in Leipzig in 1724, Berlin-born Sasha Waltz presented a movingly intense choreographed version on the stage of the Opéra de Dijon.
An adaptation from Peter and the wolf music by Sergei Prokofiev presenting the tales of a young boy and a wolf caracterized by instruments.
On the occasion of the 400th anniversary of Molière’s birth on 15 January 2022, Ivo van Hove reunited with the Troupe for their third collaboration, a production of Le Tartuffe ou l’Hypocrite, the original version in three acts, banned at its premiere in 1664 and reconstructed thanks to the work of ‘theatrical genetics’ overseen by Georges Forestier and Isabelle Grellet.