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Opposite Regensen lives the brave and well-off coppersmith Smidt with his equally brave wife and their delightful young daughter Rikke, as well as the three journeymen Madsen, Mikkel and Lars, who, according to old craftsman custom, both eat and stay with the master. When an acquaintance of journeyman Madsen comes to visit, he learns that he is unhappily in love with Rikke, and he promises to help him get in touch with her.
In a large shoe store, Erik Hansen is the salesman for a sweet and smart young girl, Edith Bjørnfeldt, with whom he falls head over heels in love. He persuades her to go out with him in the evening. At a dance restaurant, they accidentally meet Edith's brother Willy Bjørnfeldt, a Copenhagener and one of the smart go-out types of the time. When Edith and her brother are alone at the table for a moment, Willy advises her to seize the opportunity and marry Erik, and thus say goodbye to the shoe business, which is hanging over her by the throat.
When Møller Jakob Clausen of "Højmøllen" sits at his wife's deathbed, he makes her promise that if he marries again, he will choose a woman who will be good to their little son, Hans. And in motherly care for her little son, the dying wife mentions the forester's gentle and kind sister, Hanne, who will surely be able to become both a faithful wife for the miller and a good mother for Hans.
A really nice mood bomb from Danish films golden age in the comedy genre! Peter Malberg is the somewhat goofy - but very much in love author Peter Strøm. He has fallen for the publisher's daughter, Else Fischer (played by one of the 30s biggest divas, Gull-Maj Norin). The same has just happened to the bright journalist Fritz Faber, who also intends to fight for the young Else. Naturally, this creates the classic intricacy and it all happens on board the Great America-steamer.
The 74-year-old widow, Juliane Cramer, is a very wealthy lady with an incredible appetite for life. Despite her advanced age, she rushes from one pleasure to another, from mannequin shows to boxing matches, and when her lawyer reminds her that it is time for her to write her will, she firmly rejects him. There is no urgency: "I have decided that I want to live for many more years, that's it". She is more than generous towards her nephews and nieces and their spouses. They all live in a property that belongs to her. That is why they have never paid a penny in rent. They know that, if things get tough, they can always 'borrow' a couple of hundred kroner or three from Aunt Cramer. So everything is very good - apparently...
A film about a doctor in a small idyllic town. He's an honest man who wants his patients best, but fewer and fewer visitors comes to his practice and that frustrates the doctor. A 'quack doctor' is taking his business.
The people depicted in the film have grown up from the Jutland soil and are marked by its toughness, centuries of struggle with the fabled heath, which in its lonely majesty seems to brood over great secrets that it is most reluctant to let go of. The struggle is hard and unspeakably bitter for the frugal Jutland heath farmer, and how many destinies are not buried under the silent monument of the heath?
When waiter Thomas Hansen has put aside 10-øre on 10-øre to become a hotel owner, you can clearly see that the spirit has changed. It is not enough, by the way. Therefore, Thomas borrows the missing 10,000 kr. from a guest, rentier Birkehøj, who remarks that he can always get those shillings back when Thomas has become a millionaire. But, for the record, Thomas writes him a receipt on the back of a sandwich note. Then Thomas starts building his hotel - and then Birkehøj dies. Thomas' entire fortune is eaten up by smart money men, and he ends up as a farmhand. He only gets a job again when a maid is laid off. Thomas becomes a housekeeper, and in his new job he encounters justice. A hotel owner Ravn from Ringkøbing shows up as a guest in the house.
Mrs. Adda Ernst is a middle-aged lady of the bourgeoisie. She has a nice husband Mr. Ernst, a lovely home and two healthy children Birgit and Hans, who like most of their peers are interested in swing. Mrs. Adda is musical herself, and has a beautiful singing voice, sometimes she can fall into melancholy over the career she never had. But she is naturally endowed with a rare good mood, she soon sheds her sad mood. In reality, she has only one worry. She is afraid of getting old, and therefore makes some convulsive efforts to still seem young. She refuses to realize that her daughter has grown up.
We are in a small Heurigen-Café in Vienna. The young singer Fritz Hertzgruber meets a young Danish writer, Jesper Ellekilde, and the two young people become friends immediately. Fritz has been to Denmark as a "Viennese child" and is now an enthusiastic member of the Viennese children's own club. The following evening, the club's annual draw for a trip to Denmark takes place, and Fritz is the lucky one - albeit by detours. Fritz and Jesper are accompanied to Denmark, where Fritz is very much looking forward to the reunion with his foster parents, the composer Emilius Andersen and his wife. They were the sweetest people to their Viennese child, and their home stands in Fritz's memory as the epitome of idyll and harmony.