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Two Danish youngsters see action in the USSR as volunteers in a special legion under German command in 1944-45. Returned to a camp in their native country, they go AWOL, having first killed a couple of officers. They are now being chased through a wintry Denmark by the German Army, Danish Quislings and the Danish freedom fighters. Love crosses their path when they take a Jewish girl as hostage.
Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.
In a dystopian future, Denmark's lower classes must live as nomads—living in vans, always on the move, endlessly driving on a system of ring roads. Although they try to maintain a certain degree of humanity in their daily lives, there is no room for emotion or compassion among the wanderers.
When Leo gets into a fatal car accident, his position in life changes. The events surrounding the accident shed light on people's relationships with each other - their changing roles as helpers and helpless.
Arntsen takes things and people around him too seriously, and has therefore been awarded a disability pension. And he is not exactly clairvoyant either. But that may come, and often with female help from, for example, Vaskemutter, for whom he does the laundry, or Mette, who has her own problems and accepts him as he is – even without clothes.
A brief look into the work of the COBRA art movement with footage of Dotremont, Appel, Heerup, Jorn among others.
Simon talks about himself and his career, and why he prefers the company of his many animals to that of humans.
In a future surveillance and treatment society where imaginative literature is censored, author Adam Gregor lives an unhappy life. During an argument with his wife, who is prone to conformity, he pushes her over the staircase landing and now believes he has killed her. However, society does not operate with the concept of guilt, and Adam cannot be convicted of murder, but is released after psychiatric treatment. He tries to get in touch with his young son, but encounters a friendly but determined power structure. At the same time, he is monitored by the authorities, who hope he will contact his oppositionist publisher.