Looking for movies, shows, games, or books similar to "Kino 81" - Stillness, a film magazine by film critics? Check out these recommendations on mosaic.
A superb, moving and thrilling interview with American actor Sterling Hayden (1916-86), held in Besançon, France, on board a dilapidated barge, when he was 65 years old. An unparalleled portrait, in his own words and without any qualms, of a legendary Hollywood star, icon of film noir and the western, who was also a marine, an OSS agent, an anti-communist informer, a writer and a wandering sailor: the hero of his own life.
A portrait cut for television using takes not used for the film “Leuchtturm des Chaos“. According to Bühler, the film was considered unsuitable: “A two-hour film with a drunk who constantly drinks and smokes in front of the camera and smokes hashish and speaks obscene words.”
Contribution from 1992 to the television magazine "Buchladen" (West 3): on the publication of a bilingual volume of poetry by the legendary Greek lyric poet Konstantinos Kavafis.
Presentation of Marguerite Yourcenar's book about the famous Loire water castle Chenonceau as the "Castle of Women"
Explores the culture and lives of the Ainu people
Filmmaker Manfred Blank (director of the excellent Pharos of Chaos) interviews Danièle Huillet and Jean-Marie Straub at some length about their then-current production, Klassenverhältnisse (Class Relations), in which he, himself, performed as an actor.
A segment from the 1992 TV magazine "Bookshop" (West 3): French sociologist Laurence Caillet chronicles the life of a Japanese woman who, born in a village in a remote province, rose to become the manager of a hair salon in Tokyo and a sought-after expert on hair care and bridal attire on Japanese television. Includes excerpts from films by Ozu.
This short segment by Manfred Blank for the magazine Buchladen focuses on Luis Buñuel.
Sunrise is an educational “tips film” that analyzes F. W. Murnau’s Sunrise: A Song of Two Humans. Through selected excerpts and commentary, it draws attention to Murnau’s use of framing, movement, and light, offering viewers guidance on how meaning and emotion are constructed in silent cinema.
Presentation of Giono's book