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This documentary explores the protests that exploded onto the streets of Chile’s capital of Santiago in 2019 as the population demanded more democracy and social equality around education, healthcare and job opportunities.
A charming and meditative ode to the city of Madrid, where Guzmán studied directing and filmmaking during the 1960s, and escaped to from Chile after the military coup. Traveling through the streets of contemporary Madrid, Guzmán’s essayistic film freely draws inspiration from the landmarks, the music, the people, and the culture to evoke experiences, reflections, and insights in order to relate the nature of his historical and personal connection to the city.
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.
A passionate fan of Daniel Defoe’s Robinson Crusoe as a 13-year-old boy, Guzmán was delighted to find in his adult years that the story is based on actual events & a real place in the middle of the Pacific Ocean, 700 kilometres from the Chilean coast. This moves him to film & construct a kind of ironic travel journal as he sets out to rediscover the island, all the while in constant play with the fields of history, literature & imagination.
"In Chile, when the sun rises, it had to climb hills, walls and tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North for Nostalgia for the Light and South for The Pearl Button, I now feel ready to shoot this immense spine to explore its mysteries, powerful revelations of Chile’s past and present history." Patricio Guzmán
True story of the saga that was hoped to be the long-awaited justice brought to bear upon Augosto Pinochet, Chilean dictator from 1973 to 1990. In September 1998, Pinochet flew to London on a pleasure trip but experienced back pain and underwent an operation in the London Clinic. Upon waking, he was arrested by Scotland Yard. Could it be that this was to become the first Latin American dictator to answer for crimes while serving as Head of State? After 500 days of house arrest, he nevertheless eventually returned unscathed to Chile, despite the compelling case built against him before & during this period by a young Spanish prosecutor, Carlos Castresana.
On September 11, 1973, President Salvador Allende's democratically elected Chilean government was overthrown in a bloody coup by General Augusto Pinochet's army. Patricio Guzmán and five colleagues had been filming the political developments in Chile throughout the nine months leading up to that day. The bombing of the Presidential Palace, in which Allende died, would now become the ending for Guzmán's seminal documentary The Battle of Chile (1975-76), an epic chronicle of that country's open and peaceful socialist revolution, and of the violent counter-revolution against it. This four part series includes interviews with survivors and Patricio Guzman
The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.
Experimental film production that presents a newscast with a critical perspective of the popular culture transmitted by TV, using collage techniques and juxtaposition of images from newspapers, magazines, advertising, film and television.