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An American writer has to learn the quirks of Rio de Janeiro’s people after moving to the Brazilian city.
While the differences in religious beliefs tend to separate and divide, the image of Nossa Senhora de Aparecida is like her cloak, covering and protecting the body of her followers. Aparecida has devout followers of all social classes, religions and regions of the country. Aparecida is a symbol of the maternal heart, kindness and tolerance. All people fit underneath the mother’s cloak. Aparecida goes beyond the church which she represents and transcends the differences so that all feel welcome in her home. The film is constructed by different characters that have emotional, relevant and particular stories about their faith in Aparecida.
A group of strangers from different countries end up on Rio's beaches. Seeking self-fulfillment, they look for answers to existential questions. Yet it isn't until their different paths cross that they begin to understand why they came.
Marias is a film about the feminine. Visiting the celebrations of the Virgin Mary's (Marias) from Brasil, Cuba, México, Peru and Nicarágua, the director Joana Mariani observes the similarities and disparities among their cultures, and listen to women who have their very particular stories about life, faith and devotion. The result is a very singular film that shows that the image of the Virgin Mary (Maria) is a lot more than a religious figure or the mother of Christ.
Chico and Ana move to an apartment in São Paulo. As they unpack Ana found a cassette tape. It's a mix-tape that Clarisse made 20 years earlier to her husband Daniel. Albeit separated by time, both stories will cross paths in a unique way.
Rio de Janeiro is a city that attracts people from all over the world. Francisco is a native of Rio who does his best to explain the customs and lifestyle of the Carioca population to foreigners who feel lost in the big city.
Serginho Groisman hosts weekly debates on relevant topics, featuring the participation of the audience, artists, and personalities from various fields.
Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.
A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.