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Daily life of Belo Horizonte drummer Esdra Ferreira, known as Nenêm. The film goes behind the scenes of the recordings, observing the creative process between longtime friends: Toninho Horta, Mauro Rodrigues and Juarez Moreira, among other musicians.
Audiovisual letter.
Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.
Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.
Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.
Wandering Notes revealing an everyday life of the city that the author was born. Places picked by chance show her encounter with this city.
A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.
The young Jimena searches for her identity. The film follows the life of the young woman with her mother and grandmother, white middle-class women, and the exchange of letters with her father, a foreign and black man, whom the young woman resembles. Seeking to free herself from the feeling of inadequacy, Jimena rewrites her family relationships and creates other ways of experiencing love, friendship and work ties. Through her eyes, the film considers questions about class, family, tradition, race and gender.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.