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Step outside yourself, look back at yourself, whom do you see? That’s the question Bob Holman asks in his poem “Beside Myself.” A small band of Bob's friends voice the poem in alternating identities for this meditative reflection on A.I. and the life cycle of the creative process.
A musician's journey through the urban landscapes of New York City, collecting postcards of her Italian identity, diaspora, origin and destination
A one-hour documentary about our first real moment of declaring independence 250 years ago, when New Yorkers toppled the statue of King George III at Bowling Green after a first public reading of the freshly inked document on July 9, 1776. In this film, we consider the rise and fall of empires, the toppling of statues, and the removal of monuments to Confederates and slave holders in the afterlife of George Floyd. We follow historian Abby Suckle on her trail to finally find the missing head of King George III, telling the story of how it all happened, along with reflections from Ivan Schwartz whose Studio EIS in Brooklyn has spent a half century sculpting statues of legends from American history in all its complexity: from Presidential libraries, to a re-creation of King George's statue.
Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.
The confirmation of Supreme Court nominee Brett Kavanaugh was politically divisive, but Walt Whitman's 19th century wisdom remains timeless. In 1892, the poet wrote in prose: "I have sometimes thought, indeed, that the sole avenue and means of a reconstructed sociology depended, primarily, on a new birth, elevation, expansion, invigoration of woman." Towards the end of his life in 1888, he added "America" to his collection "Leaves of Grass," and then recited four lines from the poem, onto a wax cylinder recording, before he died (it is the only record of his voice in existence): "Centre of equal daughters, equal sons, All, all alike endear’d, grown, ungrown, young or old, Strong, ample, fair, enduring, capable, rich, Perennial with the Earth, with Freedom, Law and Love" And the written poem proceeds to say: "A grand, sane, towering, seated Mother, Chair’d in the adamant of Time."
Video documentation of György Ligeti’s "Poème symphonique for 100 metronomes," presented by the 21st Century Consort on December 22, 2020 in Washington, D.C. at St. Mark’s Episcopal Church on Capitol Hill.
A cinematic setting of poems by Walt Whitman that span his whole life's work, commemorating his bicentennial year. Features the poet's Long Island native "personator" Darrel Blaine Ford, manifesting and reciting "Song of Myself," "There Was a Child Went Forth," "Give Me the Splendid Silent Sun" and "Facing West From California's Shores." Filmed at the poet's birthplace, the Long Island shore, Manhattan, and where West meets East.
Is this a film about Scrooge? About a composer’s life? An opera within an opera? The Passion of Scrooge blurs these lines between performance, documentary, and fiction, into a cinematic concert experience that’s seasoned with magical reality. Composer Jon Deak has adapted Charles Dickens’ timeless tale into a contemporary opera that melts the heart, but doesn’t avoid the darkness in Scrooge that’s still resonant with the material concerns of our time. Using neither period costumes, nor set pieces to reconstruct old England, the film invites you to experience A Christmas Carol with the imaginative possibilities of a radio play. And then, to meet those visions in your head, filmmaker H. Paul Moon‘s floating camera intimately captures musicians performing the score as characters themselves, in this ageless haunted redemption story about “us, every one.”
The Phillips Collection in Washington, D.C. has been presenting concerts alongside its paintings since 1941. Some of the world's leading pianists have played its Steinway Concert D 542016, but they started hearing something wrong with it: the soundboard. This half-hour documentary - named for the spruce wood that replaced it - tells the story of tearing the piano apart, and bringing it back to life. Along the way, we learn how a piano works, and witness the consummate art of restoration by PianoCraft. Rising international star Olivier Cavé puts it to the test, playing his specialty of Joseph Haydn, in this richly textured cinematic music documentary by independent filmmaker H. Paul Moon.
The electric guitar has been the most iconic instrument of musical inspiration and social change for almost one hundred years. Today, Yaron Deutsch is one of the world's leading electric guitarists who bridge classical and contemporary music. This documentary is a portrait of the artist, and an exploration of the guitar's evolution in music and electricity. Combining interview, master class, concert, and movie clips, the film asks what it means to interpret a composer's work, and how legacy thrives in shadows of greatness.