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"Clandestine Soul" is a sensory and emotional biography of the Brazilian political activist, Maria Auxiliadora Lara Barcellos.
It is said that there is a lost manuscript by Fradique Mendes in a monastery in Cairu, a small city located south of Salvador.
"Evocação de Barahona Fernandes" is a short documentary directed by José Barahona, focusing on his grandfather, the esteemed Portuguese psychiatrist Barahona Fernandes. The film delves into Fernandes's influential anthropological-medical model and its significant contributions to the field of psychopathology. Through intimate storytelling, the documentary offers a personal perspective on Fernandes's legacy, highlighting his profound impact on understanding mental health and the human psyche.
A film diary of a trip between Kathmandu, Nepal, and the Thar desert, India. A sensitive and impressionist adventure.
Colonia del Sacramento is a city in Uruguay founded by the Portuguese in the 19th century. It was said that there still lived a man who would be descended from the founders. Going in search of this man, the film follows its trail to the great metropolis of Buenos Aires that reveals its scars, memories and characters.
Mid-19th century. A group of survivors from a wrecked slave ship, both black and white, end up on a deserted island, somewhere in the Atlantic Ocean. The fight for survival and power will flip the moral and social values of those days.
The colonial war. Remembering the past, filming the present, thinking about the future. Collection of testimonies of ex-combatants still alive and archival footage.
"In the beginning of this project, I wanted to do a documentary film based on this book by Luiz Ruffato. However, I ended up doing a feature film with many links to documentary. I wanted to know what made Brazilians want to emigrate to Portugal. I chose working with amateur actors and non-actors in both cities, so their own life stories and experiences could be in the film. I did the other way round from the writer. He found these people and made them characters of his book. I looked for people who had similar stories to those described in the book, and made them characters of my film. When I read the book, I was seduced by its "false documentary" characteristic. The book was all written as if it was the transcription of an oral interview the writer had done in Lisbon. I decided to keep this narrative in the film, by a narration with the main character talking to the camera. It's a film about emigration. About dreams and disappointments," says Barahona
What is the possibility of knowing a man who died fifty years ago, if everyone who closely shared with him disappeared, or were too young to really know him?
A visual montage portrait of our contemporary world dominated by globalized technology and violence.