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"GEDE VIZYON" takes its viewer on an unusual tour of the Grand Cemetery of Port-au-Prince, Haiti. While exploring the material and immaterial intricacies of the cultural, spiritual and historical space that is the cemetery, the camera takes on a life of its own. Running amok in the labyrinthine structure of its environment, it captures evocative sounds and images on its erratic voyage.
Generative AI inherits the same political and epistemological infrastructures that regulate bodies, borders and viral life. Working inside these systems, the piece confronts the inability of commercial image models to imagine the HIV epidemic unfolding across the US/Mexico borderlands, where the virus disproportionately affects Hispanic and Latino communities through overlapping regimes of migration, healthcare, surveillance and state violence. Their refusals, distortions and hallucinations become the material of the work. These synthetic images circulate through custom audiovisual software where recursive processing transforms computational failure into an unstable field of contamination, desire and sensation.
Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.
In a fictitious country, the newly elected president and first lady are faced with supernatural powers that put their love to the test.
Faye attempts to replace her newly deceased husband, Evan, with an android simulant (SIM). Although SIM Evan appears like human Evan in every way, Faye does not feel the same love for SIM Evan as it does for her. SIM Evan tries to win Faye back while at the same time being on-the-run from a government agent chasing down SIMs who have become “conscious” and could potentially be a threat to humankind.
In the near future, Cameron Turner is diagnosed with a terminal illness. Presented with an experimental solution to shield his wife and son from grief, he grapples with altering their fate in this thought-provoking exploration of love, loss, and sacrifice.
For ten years, inventor David Kressen has lived in seclusion with his inventions, including Adam, a robot with incredible lifelike human qualities. When reporter Joy Andrews is given access to their unconventional facility, she is alternately repelled and attracted to the scientist and his creation. But as Adam exhibits emergent behavior of anger and jealousy towards her, she finds herself increasingly entangled in a web of deception where no one’s motives are easily decipherable.
A grieving detective in the near-future hunts down criminals who trade artificial humans on the black market. In the fight to end AI exploitation, an underground resistance attempts to infiltrate him by sabotaging the programming of the artificial human assigned as his companion to behave like his late wife. She begins to question her reality as memories of a past life begin to surface in a world where nothing is as it seems.
Two leading computer scientists work toward their goal of Technological Singularity, as a radical anti-technology organization fights to prevent them from creating a world where computers can transcend the abilities of the human brain.