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Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup and the following dictatorship. Interviews with people in the street disclose their fears, aspirations and political alienation.
A rich man encounters a prostitute and gets confused about the nature of his feelings for her. He can't decide between attraction and repulsion.
This Brazilian film is set during the period of its initial colonial discovery and settlement. The title refers to a word the native peoples used for the coastal lands: "pindorama," or "place of the small trees." A ponderous and grandiose film, it was roundly booed when it was aired at the 1971 Cannes Film Festival.
After the collapse of their relationships with other people, Maria and Paulo embark in an intense relationship in order to shield themselves from loneliness.
Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.
Shortly after World War II, the city of Rio de Janeiro experiments a period of great cultural, political and economic effervescence, when all the dreams – or nearly all – seem possible. In this exciting scenery of transformation, Paulo discovers love, friendship and sex through his childhood and adolescence in the 1950’s and 1960’s.
On the eve of her wedding, Glorinha finds herself looking back at her life and confronting the injustices, sexual perversions, adultery and crimes that are hidden under the happy bourgeoise facade.
The documentary depicts the everyday of illiterate rural workers in Northeast Brazil, living under extreme misery. Although incapable of writing, they are aware of their condition and qualified to proposing solutions they hope for to their problems.