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Sara is a portuguese actress who only works in film and is known for her ability to cry on cue. But one day her eyes dry up just like her interest in cinema. The solution? Soap operas.
The film portrays the life and work of the composer and samba gaucho Túlio Piva. A native of Santiago do Boqueirão, Túlio consolidated his musical career in Porto Alegre. Owner of a very own beat on the guitar, lived more than 50 years of samba, owned the bar "Gente da Noite", where he composed much of his work and recorded four LPs.
The film INSERT was conceived has part of MEMOGRAMA by Filipa César, an installation that approaches the history of Castro Marim, a village in the southeast of Portugal, known for salt production and as a location for banishment and forced labour. The translation of sin into salt. The film INSERT creates staged images on the landscape of this place and offers a set for the announcement of a forbidden encounter.
Guilherme and Sofia, brother and sister, grow up sharing experiences and slowly discovering their sexuality. The thing that Sofia doesn't know is how far Guilherme will go to keep her inside his own perverse, dark and perfect circle.
In 2011 Portugal began the so-called "year of the Troika" (EU, IMF and ECB budget cuts and economic restructuring), with the level of debt among the Portuguese people reaching staggering amounts and a growing number of families and companies unable to repay their installment loans. Jorge is an unemployed boxer on the verge of losing his son and his wife, who has decided to return to Brazil. As a means of paying off his debt and persuading his wife to remain in Portugal, Jorge accepts a job with a debt-collection agency, which will drag him into a world of violence and crime.
In the wake of his daughter's disappearance, a father wallowing in grief feeds his desire to find her with unusual methods.
October 2019, Great Yarmouth, Norfolk (UK). Three months before Brexit. Hundreds of Portuguese migrant workers pour into town, seeking work at the local turkey factories. Tânia (The Mother of the Portuguese), a former worker in these poultry plants, is now married to an English hotel owner. She is the perfect facilitator for the Portuguese workers, but dreams of becoming a British citizen and leaving this dirty business behind by transforming her husband’s derelict hotels into refurbished senior citizens homes.
Photography is diary... diary is life... in the end, the world and photography always end up alone, with each other.