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A diverse cross-section of Israeli society converges in a single multi-use building, the Shikun. As people of different languages, origins and generations come together in highly theatrical encounters, they grapple with the current state of affairs. In a poignant metaphor inspired by Eugène Ionesco’s famous play “Rhinoceros”, some begin to turn into rhinoceroses, while others resist.
During three months, a film crew documented the political scene of an election in the countryside of Brazil’s northeast region and registered the backstage of a political practice that became a means of survival for many communities. For 90 days, money flows through the city of Gravatá, in the state of Pernambuco, and people are drawn to political structures without any ideology or political platform.
In a messy room, a slap knocks a woman to the floor. The attacker appears deranged, bathed in anger and tears. The reason that leads the two, apparently old acquaintances, to this state is not immediately revealed. We are quickly transported to another time, the 70s: violence, repression, dictatorship, the hippie generation, the counterculture. We met these two women, now friends, in a movie theater. Here begins a puzzle to be put together, where present, past and illusion mix and become confused.
Serginho Groisman hosts weekly debates on relevant topics, featuring the participation of the audience, artists, and personalities from various fields.
In childhood, Agrado meets João Raul during a radio contest in the countryside of Goiás. Like her, the boy dreams of becoming a singer, and the two decide to perform together a song composed by Agrado. However, unforeseen events separate them and lead to a misunderstanding that keeps them apart for many years. João Raul, now a major country music star, uses his social media platforms to search for Agrado, “the girl from his past,” who, unlike him, is still struggling to establish herself in the music industry.
The story of a mother and daughter with opposing views on the path to success in life takes the audience on a contemporary journey about character, ethics and honesty.
Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.
American retired Judge Randall Nemes and his hired gun, Gaspar, track down a con man posing as a priest in a small Colombian town only to be thrown off-course by a scrappy 16-year-old girl intent on reuniting with her sister in the United States.
Carla Zachanassian had a child by Serge Miller as a teenager. When Serge refused to marry her, she was driven out of town. By her own wit and cunning, she has returned as a multi-millionaire for a visit. The town lays out the red carpet expecting big things from Carla, only to learn that her sole purpose is to see Serge Miller killed...