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A young woman comes to Roissy airport to pick up a military canteen that has been returned to her. It is the effects and pictures of Jean Péraud, a reporter photographer who disappeared at Dien Bien Phu on May 8, 1954. Soon, the discussion begins between the young woman and the former press companions of Péraud who are present. Through the memories and stories she provokes, the ever-present questions about what makes the war image resurface: is the reporter a witness or a combatant? Does he protect himself from the effects of war by filming it, or does he take more risks in order to bear witness? Can we speak of art in front of this image made in the face of death?
In 1986, Laurent Roth was able to finish his first longer work: Les yeux brûlés, a documentary about war photographers and cinematographers that honoured some of France’s then still-living greats, while also fathoming the complex relationship between film and armed combat since the inception of the cinematic art.When Roth returned to the material of Les yeux brûlés for a portrait of Schoendoerffer, only the audio still existed – the images were lost. Roth took this in his stride and came up with a stunning solution: he used the complete audio, unedited, and severely slowed down the few existing shots of Schoendoerffer (and his interviewer, actress Mireille Perrier) to fit the sound, length-wise.
After ex-con Joe Braxton violates his probation, he is given a second chance. All he has to do is drive a group of special kids across the country.
Two drifters, one a gentle but slow giant, try to make money working the fields during the Depression so they can fulfill their dreams.
A young newspaper writer returns to her hometown in the English countryside, where her childhood home is being prepped for sale.
When God appears to an assistant grocery manager as a good natured old man, the Almighty selects him as his messenger for the modern world.
An aimless young man who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970s Britain.