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Based on the famous story from the epic Shahnameh.
Biographical movie about a 9th century Persian poet, Rudaqi.
The third part of Tajik trilogy.
An epic legend about the exploits of the legendary hero Rustam - a brave warrior who is always ready to come to the aid of those who need her. The story is based on Ferdowsi's poem "Shah-Nam". The first part of the "Exploits of Rustam" dilogy, which is continued by the film "Rustam and Suhrab" (1972).
A young, ambitious and self-confident girl, Zulfiya, is appointed senior assistant at the surgical clinic. She is still an inexperienced doctor, and immediately makes a number of serious mistakes. Realizing the lack of personal professionalism and the limited medical practice, Zulfiya refuses a high position and leaves as an ordinary doctor to the mountainous region of Tajikistan.
Inspired by the epic poem "Shahnameh" by Ferdowsi. It tells the story of Zahhak, the ruler of the Kingdom of Snakes, who, through cunning and deception, conquers a neighboring state and establishes the cult of the Snake Goddess. Zahhak has two snakes growing from his shoulders that feed on human brains. Each day, a dancer, a devotee of the cult, performs a snake dance in the city square. The person she kisses during her performance is doomed to be sacrificed to the snakes.
The Russian guys - Viktor, Masha, and Zhorik - arrived in distant Dushanbe on Komsomol vouchers. Tajikistan became their second homeland, and in the wonderful people Guliam, Alim, and Aziz, they found like-minded individuals. They had to endure many difficulties. But no matter how hard it was, they did not back down and did not lose faith in their just cause.
Ibragim Karimov is a respected agronomist who contributed to Soviet power in Tajikistan, fought the Basmachi, and organized collective farms. Despite health issues, he chose to stay in his role to support the district.
The fate of the powerless laborer Yodgor, who became an active builder of a new life in Soviet Tajikistan.
A story about the clash of two cultures, two worlds - traditional Tajik culture and the new, invading and imperialist in its nature, Soviet culture, about the formation of self-awareness of the Tajik dekhkanin in the 1920s-1930s.... Poor Hasan thinks and experiences a lot before he is able to comprehend the changes in his life, to realize that old traditions and customs are no longer valued. Bent by need and disenfranchisement, he finds the strength to stand up against the Basmachi.