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Director Andrew Kötting and writer Iain Sinclair sail a swan-shaped pedalo from Hastings to Hackney in London in the build-up to the 2012 Olympic Games.
Beginning in the pitch-black early hours of a September morning, the film follows a 14hr 17min cross-channel relay swim that I made along with my brothers Mark and Joey, a friend Ian Dale, the actor and comedian Sean Lock (Smart Alek and co-writer of This Filthy Earth) and the actor Tchili (This Filthy Earth and Ivul). The attempt was witnessed by the writer and wordsmith Iain Sinclair and is narrated by Eden Kötting. The film came about in 2006 (the 10 year anniversary since the release of the original film Gallivant) and the chance discovery of a boat called The Gallivant, which offered to shadow us across the Channel as a support vessel. Flotsam and jetsam in the form of conversations, field recordings and the voices of Gladys and Eden from the original film invade. The film shows scenes of explicit vomiting.
"A post punk piece of pagan sensibility, complete with beastiality buggery and boundless energy. Maniacal filmmaking at its best. He takes his horse with him everywhere." Andrew Kötting
Andrew Kötting's film retraces John Clare's journey from Epping Forest to Northamptonshire accompanied by a straw bear.
‘A few drops of pond water rich in bottom sediments, seen under a microscope can quickly confirm the existence of another world. This is the Kingdom of Protista and like all living things it needs to try to suck itself off.’
Shot in Nunhead Cemetery, South East London with Heilco Van der Ploeug and Leila McMillan. Designed to run as a super 8 projection for the performances that we were making in and around London as BEING KARNAL. Music BEING KARNAL (Heilco Van der Ploeug and Andrew Kotting)
In the Wake of a Deadad is Kötting's powerful, often uncomfortable reflection on the recent death of his father. His Deadad.
A collection of films from an eclectic array of contributors commissioned to raise funds for the Bristol independent cinema The Cube.
Shot on the Island of Jura and in and around the French Pyrenees. The film is a foray into the notions of performance-travelogue-essay, it meanders hither and dither through the landscape. A DAT recorder catches fragments of the great out-of-doors which then becomes back drop to Heilco Van der Ploeug’s beautiful rendition of the folk song: ‘I wish I was a little birdy’.
The tragic story of two sisters whose lives are disrupted by two men. Amidst a landscape of rural hardship and a community consumed with superstition, events unfurl which threaten their sibling bond.