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A dissolute man whose wife cheats on him seeks revenge to preserve his honor.
Directed by Mahamat-Saleh Haroun.
Seventeen-year-old Kellou has been gifted with supernatural powers she does not understand. Her disquiet and uncertainty only change when she meets Aya. It is an encounter with destiny that forges a mystical world where the visible and invisible converge.
On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year old daughter Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law. In the process, mother and daughter forge a connection stronger than any they’ve ever known.
Souleymane, 25, dreams of being a dancer in spite of having a paralyzed leg. At nightclubs, he transforms into the beloved dancer Grigris, impressing people with his moves. However, when his stepfather falls seriously ill, Souleymane desperately needs money and decides to work for petrol smugglers.
A girl is locked out of her apartment building as a result of a prank. Can she get back in without disobeying any of her mother's warnings?
Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...
Mahamat-Saleh Haroun lost his close friend and collaborator Hissein Djibrine (nicknamed 'Kalala' after the Congolese footballer) to Aids in 2003. he returned to Chad to make this personal, cathartic documentary as an expression of his grief to unravel the facts about Kalala's death and to honour his memory.
Moussa attempts to cross the desert to escape his debts, only to return to his village defeated and dejected.