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Reel 34 of Gérard Courant’s on-going Cinematon series.
An ongoing collection of single static shot, mute, showing a view of the cinema facades where Cinematons have been screened.
A film about an ongoing cinematic adventure that began in 1978: a vast anthology of personality portraits called Cinématons, dealing with people in the arts. Historical, ethnological, sociological and psychological, this anthology is a living record of the artistic community of the last 20th century which attempts to answer these questions: Why film everyone? Why choose cultural personalities? How do the subjects look at their image? How much exhibitionism and narcissism is involved in being filmed?
Zones césariennes (which covers the year 2002) is one of Gérard Courant's Filmed Notebooks shot on film. These episodes now coexist with their counterparts filmed on videotape. They are two films with parallel lives but opposing destinies, colliding and eyeing each other warily. They represent two approaches, two styles, two different ways of understanding cinema. Two methods for unfolding time, grasping memory, and exploring the world.
Reel 37 of Gérard Courant’s on-going Cinematon series.
A simple, modest and faithful record of some moments at the Lucca Film Festival in October 2010, with songs and speeches by Abel Ferrara: trace of the co-presence of two of the greatest contemporary filmmakers, dissident and true sons of Cesare Zavattini’s revolutionary spirit.
This episode of Carnets filmés, Délices lointains, which spans the year 2004, reaches its climax in its last part with my trip to Mexico with the photographer Barbara Peón Solis.
15 years through Le Bois de Vincennes - The "before" and "after" 1999 storm destructions.