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When you are eleven years old, it seems that anything can happen to you. Especially when your grandmother comes to visit you, who knows how to do magic. You can even learn magic yourself, and then your life will become like a dream: sometimes scary, sometimes intoxicating, then completely unlike anything else. But in order to find a talent in yourself, or save a friend, or just make sure that at least someone really loves you, then you have to try yourself. And no magic will help here.
The main character of our film is Ilyas Sharbuzov, an intensivist from Dagestan, and his family. Ilyas is a perfectionist, and if an emergency occurs, he always tries to be at the epicenter to help. Ilyas's wife, Aminat, worked in the intensive care unit, so she tries to be understanding of her husband's work. His young daughters have also become accustomed to their father's work schedule. But everything changes for Ilyas and his family when he is sent on a mission to a military hospital in a war zone.
At the turn of 80-90, film director Alexei Yurievich German created a film workshop for the first film, which became famous for the paintings of young debutant directors, who later became famous masters. The film tells about how the Master selected talented directors, helped them take the first step and find themselves in the cinema. The TV version of the film.
This is the story of the famous first film workshop set up by the filmmaker Alexei German in 1988. The studio debutants are now well-known masters. They share their memories about their teacher who helped them throughout the work process. The core of the film is the story told by Sergei Karandashov, a graduate of Alexei German’s workshop and the author of the project Workshop. The author's version of the film.
The realities of Russian reality frighten and do not suit many, therefore, various kinds of teachings that offer a "way out" are becoming more and more popular. A film about voluntary outcasts trying to live by other laws. The events of the film unfold in the village of Petropavlovka, Krasnoyarsk Territory. People of different professions and social status gathered here, united by the desire to gain vitality, to create their own morality and their own values.
In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?
A Russian detective series, based on 8 works of Andrei Konstantinov ("lawyer", "Justice / Attorney-2", "The Thief / Journalist-2", "Writer", "Inventor / Writer-2", "The prisoner "," Cop "," Scavenger ") and four works by other writers.
Lenfilm's most recent major production spins a kind of historical fantasy based on real incidents that's full of ominous implications for today. One night, a patrol rushes into the chambers of the Russian prince Pavel, son of the Empress Catherine; the Empress has died, and Pavel is to be anointed the new Tsar. Thought to be feeble-minded at best and crazy at worst, Pavel soon lives up to his enemies' fears: he dismisses long-serving courtiers, demands that peasants only work three days a week, and declares that state officials should start their days at 5 am. Soon, it seems that everyone who can is trying to hatch some kind of plot against him - including his own sons. Sumptuously designed, POOR POOR PAVEL constrasts the imperial splendor of the court with the sordid atmosphere of conspiracies and backstabbing that comes to define these characters' lives.
The story of a Russian family living and dying through four wars: the Russian Civil War in 1920, the Great Patriotic War in 1942, the First Chechen War in 1996, and the Russian military invasion in Ukraine in 2017.