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I Fratelli Dinamite was advertised as Italy's first animated cartoon feature, though historians would hold out for the now-lost 1930s film Pinocchio. Released in the U.S. as The Dynamite Brothers, the film concerns the misadventures of three brothers, musicians all. The story follows the siblings' progress from the conservatory to a desert island to the Venice Carnival. The message is that happiness must be earned, a sugar-coated pill of wisdom that went down easily with the film's youthful fans. Not quite in the Disney league, I Fratelli Dinamite is nonetheless colorful, expertly rendered entertainment.
Antonio, a former variety actor, keeps his daughter in an excellent boarding school by organizing small scams with his friend and colleague Felice. Commissioner Malvasia good-naturedly persecuted him. When their respective unsuspecting children fall in love, the two fathers make peace.
Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.
In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
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