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An essay on the existential actuality of the human being located in the Argentinean here and now. A history of singularities, which are mostly traversed by violence and marginality.
Reality, glowing with anxiety, is dissected and reconstructed through editing to generate blocks of pure image-sound through a precarious camera that, for several years, travels incessantly from the confines of underdevelopment to the heights of European prosperity. From a working-class neighborhood in Buenos Aires to St. Mark's Square in Venice. From prison to the plains.
A documentary that deals with the urgency and destiny of the country in electoral times.
In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.
Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.
An object crosses the paths of Alejandro and Soledad, a journalist and a young woman born on December 20, 2001. Together, they discover the traces of an event swept under the carpet by power, but present in Argentine popular memory.
A humble worker, several young thieves at dawn of violence, the dream of a better present that collides with the most cruel discrimination, a car that moves forward collecting the waste of the postmodern city.
Alma wanders through the streets of Buenos Aires with tranny rage and wit while the city walls tell of the struggle against the patriarchy and the IMF.