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Around a campfire in the Ngäbere language, Major Francisco Rodríguez tells the Ngäbe-Buglé community of La Casona the mythical story of "Los gigantes". His words merge with the recreation of the story, starring three women from different generations and some other people from that indigenous community, which inhabits the border territory between Costa Rica and Panama.
Verónica is driven by a need to help people. When a cab she is riding in hits street kid Tato, she immediately brings him home and tends to his injuries. Her roommate Greta thinks Tato is trouble, but Verónica only sees someone in need of a hand.
An unemployed journalist during her quarantine finds a job option on the cam girl platforms, but a phone call from her daughter will make her reconsider that decision.
A group of colorful characters carry a mirror through the streets of San José and leave it in the Central Park of the city. A crowd moves around the mirror. A passerby shouts in front of his own image: "be attentive to what is coming!" The mirror reflects, transforms and deforms reality. Produces stories and mirages.
Francisco Coto was born in Alajuela in July 1924. A century later, he recalls some of his photographs in the studio he founded decades ago. Photographs like those that bring to the present the eruptions of the Irazú volcano, which began in March 1963, or the visit of John F. Kennedy during that same year, allowing us to see Costa Rica's recent history through different eyes.
On a night like any other, a homeless person listens to a presidential speech offering housing to those who need it. The next day he wakes up in a strange and radiant city. During the afternoon, a builder raises the facade of his long-awaited house. Only the facade.
A girl regularly leaves food at the door of her grandfather's room, who is ill. One day the grandfather does not open the door. Then the girl decides to enter.
A boat crossing the Caribbean Sea. On board, Willem Dafoe opens a briefcase that casts a golden glow on Christopher Walken's face. In a fit of ambition, Walken snatches up a swordfish and plunges it into Dafoe's abdomen, causing him to writhe in pain. In his death throes, Dafoe grabs another swordfish and lops off Walken's head. As he descends into the deep sea, Walken's head will discover that ambition always knocks twice.
San José of Costa Rica, beginning of the XXI century. A man with the appearance of an office worker travels alone in a train car. He accompanies his loneliness with an old tie until a woman in a yellow dress sits in front of him. Then a game full of curiosity, of small and unexpected disagreements, of closeness and silences begins between the two.
A short Costa Rican drama