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At the height of his career and powers, Japan's master fixer, who has guided politicians and business heads through some of Japan's biggest scandals, discovers that fixing his family is harder than fixing a country.
Six Stories based on Six Songs.
Sakurai Taro’s parents died young. His grandmother, Akiko, has been making great effort to protect her struggling candy store, Sakuraya, in the old part of Tokyo, but it's not easy. Taro eats candy with regular customers such as chilhood friend Saegusa Hiroki who aspires to be a scriptwriter, and talk nonsense, like in their youth. However, they realize this unfettered, comfortable existence will end some day with the passage of time. Then Taro’s ex-classmate, Kimura Reiko, comes back home with her son after a divorce. He and his friends start to notice what is truly important to them as they face up to their pasts, dreams and pains.
Why had a mother who seemed happy desired to end her own life? Desperate to uncover his mother’s true intentions, Sakuya ventures into uncharted technological territory. He turns to VF (Virtual Figure), a technology that aggregates personal data from one’s life to create a “human” in a virtual space.
Aoki is a failing novelist, and Sol is a failing pop singer. Encountering each other in South Korea, speaking different languages, they and their families somehow end up in a truck heading off into the Korean countryside.
Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, The Great Passage. In the eclectic team, he becomes immersed in the world of dictionaries. But the team is overwhelmed with problems.
In April 1941, months before the Pacific War begins, Japan’s brightest young elites, bureaucrats, military officers, and civilians, are secretly assembled at the Total War Research Institute. Tasked with simulating a conflict against the United States, they confront harsh realities through intense analysis.
Mika works as a nurse by day; by night she entertains covetous men at a girls' bar. Shinji is blind in one eye and ekes out a living as a construction worker. Young and grown-up at the same time, they both lead a lonely existence, but somehow their paths keep miraculously crossing under the Tokyo sky.
26 years old Hanako is on the verge of directing her first-ever feature film, achieving her childhood dream. Although she’s being hindered by an older male assistant director, she has a fateful encounter with a man named Masao, and her life at last begins to take on a whole new luster. However, the underhanded actions of an unscrupulous producer cause Hanako to have her personal project stolen. After being dumped into despair, she quietly stokes her rage, and makes a pledge to keep fighting, and never back down! Entangling Masao, her hopeless father and two older brothers (who she’s been out of touch with for over 10 years) in her obsessive quest, Hanako audaciously attempts to make her dream come true, her way!
A young man in a green Martian costume allows himself to be dragged hither and thither by a bossy housewife. In this way the film swerves between deceptively ordinary realism and a fantastic absurdism. The housewife Junko (Otori Rei) has started to behave increasingly strangely since the death of her son. Her husband can't put up with it any more and goes off with a female colleague. The man in the green suit, Katsura Tombo (Oda Yonosuke), is a bread salesman but he forgets his work. His strange costume is supposed to lure new customers, but he seems to have forgotten that. He is more or less kidnapped by Junko and falls in love with her. Junko however has other intentions with the rather naive salesman. The failed Martian drives her around in his aunt's van, but his helpfulness doesn't get rewarded.