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Ferhan Şensoy and Ortaoyuncular bring Aristophanes' immortal work, believed to have been written in 422 BC, to the present day. Şensoy adds his own interpretation to Aristophanes' satirical critique of the justice system, and we enjoy watching the play that emerges as he mocks the justice mechanisms of ancient Greece.
Ferhan Şensoy is back with a message from 1993! Ferhangi Şeyler, Ferhan Şensoy's one-man show, which he has been performing continuously since March 7, 1987, is an evaluation of everyday events through Ferhan's humorous lens.
The master of laziness takes a family man as his apprentice.
Ferhan Şensoy's play criticizing the new world order and capitalism.
Written by Ferhan Şensoy, Şu An Mutfaktayım (I'm in the Kitchen Right Now) is his 30th play, conceived for Derya Baykal as a one-woman show. Baykal's everyday life, as seen through Şensoy's eyes, gradually becomes generalized, offering a satirical view of contemporary Turkey through Şensoy's lens. The play bridges the local and the universal, engaging the audience in playful banter through its musical comedy.
A harmonious comedy, not with subtle references, but with dialogues flowing in empirical (made-up) Byzantine derived from our language, this is a classic. The conversations between Justinian and Theodora, the plans of the revolutionary greens who are after Justinian's death. You will want to watch this palace comedy, which has left its mark on our memories with the conversations in the Gothic language and the gossip of the guards, over and over again…
From Ferhan Şensoy, a humorous comedy with a high dose of laughter about today's technological revolution... With computerized communication entering every aspect of our lives, you will enjoy watching the play, which describes the alienation of society in a satirical language, and see what trouble the virtual world has brought upon us, accompanied by mischievous jokes... In the virtual realm, Şensoy satirizes digital emotions, declaring, "We are in the highly electronic F-type Internet world."
Ferhan Şensoy and his team perform their play, which takes place inside a ship, from inside the same ship for their audience. Ferhan Şensoy, a true wordsmith, plays the captain, and the ship's crew returns from a long voyage and sets sail for Turkey. When they see the state of the country, they decide to turn back, saying, "Take it, it's yours." Deeply troubled by the public's tendency to accept every new crisis as normal, Şensoy remarks, "In another country, the people would rise up and protest, but here, such things do not occur," and in his "Audience Logbook," he critiques the nation's issues using the vernacular of the people.