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Pepperminta is an anarchist of the imagination. She lives in a futuristic rainbow villa and according to her own rules. Colors are the young woman's best friends and strawberries are her pets. She knows the most amazing remedies to free people of their fears. Pepperminta's wish is for everyone to see the world in her favorite colors. Werwen, a young plump and shy man yet whose sex appeal Pepperminta finds highly attractive, and the beautiful Edna, who talks to tulips, join her on her passionate mission. These three musketeers of a different kind set out to fight for a more humane world. Wherever the gang appears, everything is turned upside down and people's lives are transformed in the most miraculous and wondrous of ways.
20 short films about human rights.
Each pixel is separated like an exploded screen, set in a chaotic way into the space. The video has a whole movement in the room, as one three dimensional image. The experience resembles the brain, working with electromagnetic waves and low voltage information.
In this visual evocation of sex and sexuality, a man and woman stage an elaborately choreographed courtship ritual, edited with Rist's usual attention to the syntax of mass media. As a driving bass sample plays, a surveillance camera makes low-flying journeys across the bodies of the actors, yielding images at once familiar and distancing, a strategy in keeping with Rist's desire "to propose images of sexuality rather than to analyze the pros and the cons of pornography."
Precisely edited to the start-stop rhythm of a martial beat and post-punk rock music, Absolutions glories in organized disjunction, juxtaposing images of the artist collapsing to the ground with bursts of wildly scrambled electronic distortion.
This video work was made while Rist was still an art student at the School of Design in Basel, Switzerland. It was produced in an unlimited edition and is intended to be shown on a domestic-style monitor, although it may also be displayed as a projection with special permission from the artist. The video depicts the artist, an attractive young woman dancing manically around the room while repeatedly singing ‘I’m not the girl who misses much’. The phrase is an adaptation of the first line of the Beatles song ‘Happiness is a Warm Gun'. Referring to her childhood Rist has said, ‘In my village in Switzerland I had a small window on the art world through the mass media; through John Lennon/Yoko Ono I moved from pop music to contemporary art. In return, I will always be grateful to popular culture’ (quoted in ‘I rist, you rist, she rists, he rists, we rist, you rist, they rist, tourist: Hans Ulrich Obrist in Conversation with Pipilotti Rist’, Pipilotti Rist, p.16).
In this détourned music video, Rist trains her camera on the nude male body, challenging the tropes of the form and of pop culture in general. Her anonymous male subject is more puppet than star player as he flails helplessly, chasing a receding camera, accompanied by a cut-and-paste remix of The Beatles' Sexy Sadie. Supersaturated colors and a woodland setting further serve to naturalize the surreal scenario.
The video drifts between reason and dream and, like the installation, floats between earth and sky. Rist tries to give answers to such questions as ‘How much of what you see and hear comes from outside and how much is constructed by your brain? Why does your hair grow out of your head as if your skull was a cornfield?’.
A daytime fantasy featuring earth nymphs, this short video work is an adapted version of Rist's installation "I Couldn't Agree With You More" for screening purposes, and to watch lying down on your left side or turning monitor 90 degrees.
Love, memory, nature, and intimacy collide.