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We see a lot. But don't remember much. The greatest moments of our existence aren't retained. And neither are our worst. Authenticity means jack anymore. And that isn't right. How is this age going to be remembered in 200 years? 500? We live in an age of transitional technology. Everything is instantaneous. Cheap. Silly. It appears and it disappears just as fast. But this time we got the band together. And did it our way. This is our bookmark. Our full stop. It is an actual document of individuality and modern surfing and living and romping and laughing. Collect it and recollect on it. Here we are now, entertain us. And we'll take it from there. Enjoy your Coca-Cola tour. We're spiking your soda, then the glass and kicking in the door to the museum.
Filmed on location in Japan, Australia, New Zealand, Indonesia and the Caribbean, Dear Suburbia, is the latest release from Kai Neville and is the follow up to his previous films Modern Collective and Lost Atlas. It is a high-performance, location-based surf film set against exotic landscapes, objects and personalities juxtaposed with the traditions of suburban life. Spontaneity versus routine. The unknown versus the familiar. An interpretation of our lifestyle, culture, riding waves, traveling the world — a pirouette into the absurdity of it all. The result is a graceful, often schizophrenic glimpse at modern life with a surfboard and a passport.
Bending Colours is a moving portrait of Jordy Smith. This is not a biopic. It’s a never-before seen insight into game changing next level surfing. From an average school kid in South Africa, a cocky tour rookie, to the professional world title threat he is today, Bending Colours tells a story. No one does progressive surfing or the hi-fi quite like Kai Neville. The fit is obvious. You know Modern Collective. You know the new breed of surfer, soundtrack and star it’s created. This next collaboration will further redefine and change the game.
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