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The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.
Sunlight particles reflect in a shallow pool which functions as a natural irrigation system. An old camera, possibly from 2003, captures them.
Two halves split by the perseverance of a scorpion. Come on, feet.
Grounds, Premises takes the opening scene of Ed Wood's Plan 9 From Outer Space to consider intention and failure. What emerges is a treatise on the creative process with the emphasis on process rather than result. This film was made while teaching a film production course at a castle in the South of the Netherlands, and is dedicated to our fleeting time together.
A romantic film in which water serves as a guiding force for a journey with an unclear destination.
Infinite Skies, a machinima created by Bram Ruiter and Martin Gerrits during their film school years, explores themes of grief and purgatory. This video work marks an early milestone in Ruiter's journey into digital storytelling, setting its narrative against the expansive, generative landscapes of Grand Theft Auto: San Andreas, and drawing inspiration from Philip Solomon’s game video art.
Endless Sea is a textural, oneiric exploration of the inability to escape captured within the confines of Grand Theft Auto: Andreas.
rare vines is a diaristic exploration and an euology shaped like a Vine Compilation: six seconds per video in a gapless stream of images and using the qualifier 'rare' in its title.
The code flips through an array of virtual pedestrians, fading in and out of existence, to be endlessly replaced by the next, creating a time-lapse in real-time.
Observing light in the month of december.